The collages of Andrew Blucha, who works under the moniker “metafables,” crafts fantastical and dark-surrealist illustrations. The London artist’s motifs include skeletal, mystical blazes, and Victorian fashion. Contained within these are also contemporary winks.
Illustrator-collagist Elzo Durt creates psychedelic and occasionally unsettling imagery, adorning both album covers and gallery walls. The artist has crafted covers and posters for the likes of La Femme, Three Oh Sees, Magnetix, and several others. Elsewhere, his work has been the subject of museum exhibitions and related efforts.
The intricate line work found in Dan Hillier’s work, diverse as ever in recent drawings and collages, tells of his love of art history. The artist’s process combines ink work, digital collage and rendering, and further embellishments results in chimeric creations. Hillier was last featured on HiFructose.com here.
The practice of Jesse Draxler, who recently illustrated the cover of the new Daughters album, combines painting and photographic collage. Working primarily in grayscale, both the artist’s illustrative and fine art work are packed with harrowing portraits. The artist has also crafted work for the bands Vowws and Deafheaven.
Vladislav Skobelskij, who works under the moniker Happy, creates voluminous, candy-colored scenes and animations. The delightfully garish works move between disturbing and alluring, each figure overcome by vibrant and cartoonish outgrowths. Happy often injects pop cultural and photographic elements into this fantasy world.
In a new show at Littlejohn Contemporary in New York City, Maggie Taylor‘s digital composite prints relay the tales in Lewis Carroll’s writings with vintage-sourced, Victorian-inspired imagery. “Through The Looking-Glass and Other Stories” kicks off in conjunction with the release the book “Lewis Carroll’s ‘Through the Looking-Glass, And What Alice Found There,’” for which she provided works. The show runs Sept. 6 through Oct. 6.