Illustrious fantasies unravel in the “Dreamlands” group show, opening at Corey Helford Gallery’s CHG Circa space on March 14. Guest curator Caro (who is also our Hi-Fructose staff blogger) brings her Japanese Pop Art-inspired aesthetic to the show; she works with many of the featured artists, like So Youn Lee and Hikari Shimoda, through her arts platform Sweet Streets. The exhibition features 35 artists, many of whom our readers will recognize, such as Naoto Hattori, Tom Bagshaw, Hannah Faith Yata, Lola, Kazuki Takamatsu (HF Vol. 33 cover artist), and many others. The artists in the show were invited to interpret their dreams, and the resulting work is soft, utopian, and surreal.
Four distinct artists- Andrew Brandou, The London Police, Redd Walitzki, and Richard J. Oliver- will show alongside each other next Saturday at CHG Circa. Simply titled “FOUR”, their collective show ranges in a variety of styles and themes that portray ethereal environments. Notably, this exhibit is Redd Walitzki’s (covered here) Los Angeles debut of her enchanting laser cut paintings. Check out our preview after the jump!
This Saturday, CHG Circa kicks off 2015 with a group show that celebrates, in essence, the dream of starting anew in “Freaks and Americana.” The show welcomes newcoming artists to the gallery like Carol Liu alongside regulars Brandi Milne, Shag, Ron English, Tom Bagshaw, Yosuke Ueno, and Melissa Forman, featured here. Their pieces edge on the verge of odd, but also have the classic innocence of vintage circuses and their personalities. Check out our preview after the jump!
Artists Soey Milk and Joey Remmers were on hand to celebrate their side by side openings at CHG Circa on Saturday. Newly graduated from Pasadena Art Center, Soey Milk was in especially high spirits- her paintings are the culmination of an “unhurried journey” to becoming a fulltime artist. Her solo exhibition “Sinavro” (previewed here) embodies focus and uncertainty that any budding artist might experience. Milk’s brush tells us her story, as rocky as her impressionistic strokes which meet points of detail. Her women appear strong and confident in their boldy colored robes, decorated with traditional Korean motifs. Underneath, hints of nudity add an element of carefreeness and mystery that tempt the viewer.
Soey Milk has seen a lot of creative and personal growth in the past year- she tackles life with the same focus as her precisely detailed, figurative paintings. When we last caught up with her, she was still a student at Pasadena Art Center and experimenting with a new style that incorporates colorful drapery. Recently graduated, her upcoming show at CHG Circa on December 13th showcases the result of her progress. Appropriately, the exhibition title “SINAVRO” loosely translates from Korean to “To progress slowly, almost imperceptibly.” Her identity as a young woman living between two cultures, Korean and American, is represented in her intermixing styles.
“I think listening to some songs can be a lot like looking at a painting. The meaning can vary greatly depending on who’s listening and what they’re feeling at the time and where they’re at in their lives. I love the idea of something being so open to interpretation,” shares Nate Frizzel on his recent show at CHG Circa, “Dark Was The Night”. The show borrows very loose inspiration from 1920s gospel song, “Dark is the Night”. It is what paved the direction Frizzel wanted to go in. The rest, he leaves to the beholder. Photos from opening night after the jump!