by Andy SmithPosted on

Christopher David White says that “human is to nature as skin is to bark – as roots are to veins.” The artist’s striking ceramic sculptures attempt to reconcile humanity’s rightful relationship with the natural world, one long abandoned for consumption and convenience. The artist was last mentioned on HiFructose.com here.

by Andy SmithPosted on


Özge Tan’s surreal ceramic sculptures and installations offer both mystery and absorbing detail. Not much has been written about the young, Turkish artist. Yet, her work carries an enormous presence and delicate detailing. Much of Tan’s recent work has the motif of obscured faces, often enveloped by floral growths or abstractions.

by Andy SmithPosted on

Lars Calmar’s figures, often bare and grotesque, carry a humanity that feels at once humorous and sincerely tortured. Even when using animals alongside his baby-like creatures and hulking brutes, the ceramic works feel as wholly human, though primal, in emotion. The artist’s sculptures have been shown in galleries and museums across the world.

by Andy SmithPosted on

The surreal ceramic sculptures of Malaysia native Chao Harn Kae are both strange and humorous, combining creatures and appendages with delicate textures. The Hong Kong-based artist’s dreamlike works range in size and mood, as the figures bounce between evoking playfulness and timidness. His charge has been described as “unraveling humanity while remaining true to human nature.”

by Andy SmithPosted on

Montana-based ceramic sculptor Adrian Arleo crafts surreal figures and hybrid creatures. Toying with scale and texture, Arleo subverts the nature of familiar beings from our world. The result are works that inspire both awe and uncomfortability. The artist says that the themes at play in her pieces are numerous.

by Andy SmithPosted on

Korean ceramics artist Maeng Wookjae creates strange animals and figures that feel both familiar, yet disconcertingly outside the realm of reality. Yet, the artist’s work may be more tethered to our own world than one would imagine. In a statement, he details his thought process in engaging with the viewer, saying one “not only intellectually comprehends the work but also viscerally appreciates it if their preconceptions are challenged or senses other than sight are stimulated.”