At Galerie Le Feuvre in Paris, works by Invader are presented in a new show called “Masterpieces.” Invader is the enigmatic street artist known for crafting square ceramic tiles into images that resemble digital, pixelated renderings throughout the past few decades. The gallery says that the show was triggered by “discovery of works dated from 1997.” The artist was featured way back in Hi-Fructose Magazine Vol. 2.
Though Takahiro Kondo is a third-generation ceramics artist, his voice is distinctly his own. The Japanese sculptor’s figurative works play with texture and mood, pushing the limits of glazes and form. This style implements the artist’s own, original technique: gintekisai, which is an overglaze containing silver, platinum, and gold. This produces the bubbled texture found on the faces of his characters and objects.
Claire Partington, a ceramics artist living and working in London, is a storyteller. The artist says that the aesthetic of her spellbinding figures is inspired by the “European Applied Art and Design styles from the 1600s onwards.” Yet, she’s fascinated by the tradition of appropriating so-called “exotic” styles and cobbling together influences into a single artifact also drives her work.
Japanese artist Takako Yuki’s fantastical ceramic art evokes both feelings of whimsy and uneasiness, with beings that seem birthed from fairytales and the natural world. These often-child-friendly creations contain flourishes of sadness and strangeness. The artist says that there are several emotions at play in the process of forging these works.
Sculptor and ceramics artist Johnson Tsang, based in Hong Kong, creates surreal, spellbinding faces in porcelain. Dramatic and often humorous, these characters are warped in varying emotions, whether it’s a distorted, yet intimate kiss, total relaxation while being massaged, or contorted far behind comfort. Two series from this year, “Lucid Dream” and “Stillness,” show just how wide-ranging the artist’s imagination can be, all using the human face as its foundation.
Tsang’s work last appeared on HiFructose.com here.
For the past 50 years, Pacific Northwest artist Patti Warashina has been creating ceramics that merge a range of themes including car culture, politics, and feminism. While her earlier female “shrines” contained vibrant pops of color, her most recent figurines are made of bone-white china. The characters take on the form of witches dancing around a fire, and nude devils and mortals riding in and alongside cars. Warashina explains in an interview with Seattle PI that she is inspired by Greek and Egyptian columns in the form of female figures, small court figures from the Han Dynasty, and early Japanese Haniwa figures.