Evan Hobart, a California-based ceramics artist, creates beastly mixed-media creatures that offer commentary on both urban and social issues. Living in large urban areas inspires the artist to explore consumerism, global climate change, pollution, and “eventual extinction” in his sculptures. Hobart crafts cityscapes on and inside ceramic fossil heads, absorbing at different distances. In the works, “the imbalance between the innocents of the natural world and the chaotic blind dominance of humanity” is on display.
Jocelyn Y. Howard, a ceramics sculptor, creates surreal figures that explore identity, gender, and other social topics. Howard immersed herself in ceramics after studying under Michael Sherrill in 2005. Since, she’s amassed a collection of strange and absorbing characters, all reflecting both the potential and otherworldliness of the material.
At Galerie Le Feuvre in Paris, works by Invader are presented in a new show called “Masterpieces.” Invader is the enigmatic street artist known for crafting square ceramic tiles into images that resemble digital, pixelated renderings throughout the past few decades. The gallery says that the show was triggered by “discovery of works dated from 1997.” The artist was featured way back in Hi-Fructose Magazine Vol. 2.
Though Takahiro Kondo is a third-generation ceramics artist, his voice is distinctly his own. The Japanese sculptor’s figurative works play with texture and mood, pushing the limits of glazes and form. This style implements the artist’s own, original technique: gintekisai, which is an overglaze containing silver, platinum, and gold. This produces the bubbled texture found on the faces of his characters and objects.
Claire Partington, a ceramics artist living and working in London, is a storyteller. The artist says that the aesthetic of her spellbinding figures is inspired by the “European Applied Art and Design styles from the 1600s onwards.” Yet, she’s fascinated by the tradition of appropriating so-called “exotic” styles and cobbling together influences into a single artifact also drives her work.
Japanese artist Takako Yuki’s fantastical ceramic art evokes both feelings of whimsy and uneasiness, with beings that seem birthed from fairytales and the natural world. These often-child-friendly creations contain flourishes of sadness and strangeness. The artist says that there are several emotions at play in the process of forging these works.