Colin Raff’s “Perturbatorium” is a collection of unsettling animations and collage work. Recalling the work of Max Ernst or Terry Gilliam, the work has a particular movement because of his “step-frame animation” method. The animations are rooted in Raff’s photo-collage work, which he has described as having “distinct 20th c. antecedents (Heartfield, Ernst, Höch, etc.).”
Whether as still portraits or in motion, the mutants and forms created by Erik Ferguson are disconcerting in their realistic textures. The artist moves between high-profile and personal project, working on the likes of Guardians of the Galaxy and live performances for Rihanna. With assignments like album artwork for The Horrors, the artist’s own sensibilities come through even more.
In the documentary short “Hollywood Dreams,” the work of Victor Castillo comes to life, with his paintings animated and the artist experimenting with motion in a new way. Crafted by Loica filmmakers, the short also blends 3D animated characters with live backdrops. The result hints at what Castillo calls his “‘strange hybrid world,’ where his unconventional past brings him to distinctive artistic conclusions.” Castillo was featured in the exhibition Turn the Page: The First 10 Years of Hi-Fructose and the Hi-Fructose Collected 4 Box Set.
Cartoonist and illustrator Dave Cooper has made a career of multiple passions. Whether it’s his animated shows for kids on Nickelodeon or his fine art practice, he’s garnered praise for his distinctive style and irreverent humor. (He was last mentioned on HiFructose.com here.) In an interview with Hi-Fructose, he talks about his studio space and returning to the canvas.
“Joe Vaux” is a name known in both the gallery scene and animation. His work in painting and on shows like Family Guy make for a busy schedule for the artist. In a Q&A with Hi-Fructose, he talks about maintaining that balance and his upcoming show at Copro Gallery, which kick off on March 18.
Swedish animator Robert Ek crafts absorbing loops, his 3D creations packed with psychedelic, hypnotic situations. The work follows a tradition that calls back to the Mind’s Eye art films of the early 1990s, which circulated as VHS tapes and employed then-progressive digital renders. Like those films, Ek’s videos are best heard with their handpicked soundtracks, sometimes custom-made by the artist. The artist mainly shows his pieces through Instagram.