by Andy SmithPosted on

Iran-born painter Arghavan Khosravi creates surreal scenes that blend historical Persian motifs and pop cultural iconography. The artist’s own statement says that she is “deeply connected to her own personal experience of the culture and politics of her homeland of Iran that probe both personal and political experiences.” Much of her recent work has been crafted as acrylic on found textiles.

by Andy SmithPosted on

Colin Prahl’s intricate landscapes move between circuitry-like forms and psychedelia, each acrylic painting a wild display of illusion and vibrancy. From afar, the structures and contours contained within his works resemble urban environments.

by Andy SmithPosted on

There’s a shapeshifting quality to the paintings Ricardo Estrada, whose subjects are physically inhabited by cultural iconography. The Los Angeles native specifically focuses on Chicano culture, whether in his murals or acrylic paintings. Each carries intricate brushwork that allows Estrada to transition between differing textures and planes of reality.

by Andy SmithPosted on

Joan Cornellà continues to both amuse and repel in his newest paintings. His latest acrylic works are featured in “I’m Good Thanks” at Public Gallery in London. The show kicks off on April 4 and runs through May 4. Cornellà was the cover artist for Hi-Fructose Vol. 47.

by Andy SmithPosted on

Kate Klingbeil layers acrylic into sculptural, absorbing paintings that explore personal themes. She uses the female form to craft landscapes and towering structures, as figures explore and dance among the terrain. These massive stretches of activity convey both psychological and physical expeditions.

by Andy SmithPosted on

Combining lush landscapes with pop and sci-fi elements, Atsushi Fukui’s paintings carry both a mystery and elegance in their execution. The artist has said that there isn’t actually one narrative driving these scenes, yet he crafts the works in a way to imply so. A recent body of work carries both tones of space epics and mythology.