Jesse Jacobi’s massive, forested scenes are packed with creatures and ruins, each a dive into a dreamlike, yet vivid world. The vibrant acrylic works make use of camouflage and show seemingly alien civilizations. And on the time and place shown in this works, the artist admit it’s not clear, “but the setting is, I can say with certainty, very far removed from modernity and anything involving current times.”
Naoto Hattori‘s creatures are both vivid and dreamlike, rendered in vibrant acrylics. The Japan-born artist creates absorbing work teeming with innocence. Each bends expectation and reality into beings alternate between disconcerting and ambrosial. Hattori was last mentioned on HiFructose.com here.
Robert Proch, an artist and animator based in Poland, created kinetic, seemingly erratic worlds in his paintings. Influences in the artist’s style include contemporary street art and graffiti, impressionism, and even “classic caricature.”
Japanese manga artist Junko Mizuno depicts the “Seven Lucky Gods,” a once-disparate group of deities that became a unit through Japanese art history, in a new show at Alhambra, Calif.’s Gallery Nucleus. Although not traditionally this way, “Takarabune” transforms all of these gods of fortune into women, translated in Mizuno’s vibrant style. The show runs through Jan. 8 at the gallery. Mizuno was last featured on HiFructose.com here.
Roos Van Der Vliet, a painter from the Netherlands, crafts acrylic works in which women stare through the confines of their hair. In each of the paintings in her “Storytellers” body of work, feminine faces are imprisoned in strands of varying, entangled designs, as striking gazes peer through. While other artists, like Winnie Truong, use a fascination with hair to create different moods, Van Der Vliet explores “anonymity and alienation” with her female subjects.