Robert Proch is a muralist, painter, and animator who lives and works in Poznan, Poland. His dynamic creations, featuring human figures and city landscapes, constantly push the boundaries of what we define as “street art” and “fine art” – whether they’re adorning the side of a building or displayed in a more traditional gallery setting. Proch is influenced by both genres, pulling from these two worlds to produce his unique, expressive pieces.
Movement and expression are key characteristics in the work of North Carolina based painter Taylor White. Featured here on our blog, her paintings and murals are instantly recognizable for her chaotic portrayal of bodies which appear to break apart. White has said that she sees the human body as a fragile form, describing her work as an exploration of our emotions.
David Rice fuses the natural and the man-made in his paintings, representing the possibility of a peaceful balance between the two. Featured here on our blog, and in our current issue of Hi-Fructose Vol. 39, his wildlife-filled works address themes like cohabitation, where people and animals are combined to create hybrid beings, often wrapped in colorful textiles. The Portland based painter is about to debut a new series, entitled “High Alpine”, his largest body of work to date.
The playful and humorous Dutch artist Parra plunges into a feminine universe for his new solo show at Ruttkowski; 68 gallery in Cologne, Germany. His exhibit “I can’t look at your face anymore” features a new collection of multimedia work, which includes paintings, sculpture and textiles. Parra is well-known for his provocative pieces, featured here, paintings with vivid colors and minimalist style filled with surreal creatures, many of them women.
For Toronto based artist Brian Donnelly, featured here, painting is a risky business. At first beautifully rendered in oil, he then sprays his subjects with turpentine and hand sanitizer until their faces are distorted beyond recognition, to a more limited expression. Donnelly’s work is all about embracing limitations: “I ask a lot of questions about art and how we define it,” he says. “How far away from the original state can we go before we stop calling something art? In the process, I end up drawing a parallel between the fragile nature of artwork and the human condition.”
Strong, clean lines and cubist inspired characters in vivid colors have long been the main signifiers of Berlin based artist James Reka’s, aka Reka’s, paintings. His previous works, featured here on our blog, depict geometrical figures but the choice of colors, the backgrounds, and the style have dramatically changed over the past few years. His graffiti background is becoming less evident as Reka is increasingly interested in abstraction, and his new work may be his most enigmatic.