In a new exhibition at 111 Minna Gallery, tattooing legend and artist Ed Hardy offers works created within the past decade, featuring his signature blend of Asian influences, Californian vibes, and an ink aesthetic he forged throughout the previous century. “Marks, Scars, or Tattoos,” named from the old “Wanted” posters that carried that line item, kicks off on Friday, Oct. 7, at the space.
The Greater Denton Arts Council is expanding its call for entries for the 30th annual Materials: Hard + Soft Contemporary Craft Competition and Exhibition to now include international artists, thanks to a partnership with the NEA. Recognized as one of the premier craft exhibitions in the country, Materials celebrates the evolving field of contemporary craft and the innovation of artists who push the boundaries of their chosen media. The 2017 juror will be JoAnn Edwards, Executive Director of the Museum of Craft and Design in San Francisco, California. Submit your work online by September 30. Learn more at dentonarts.com/materialshardandsoft
“EMOTIONAL CONTENT: Works on Paper” brings the work of nine artists to Evoke Contemporary in Sante Fe, N.M. Curated by artist Kent Williams, the show defies what Williams considers to be a prevalent aspect of contemporary art: detachment. In a statement, the artist clarifies the charge of this show, which kicked off Sept. 30 and runs through Nov. 19 at the gallery.
Jun Seo Hahm is a Seoul-based digital animator and designer, known for his delightful fictional creatures that inhabit other worlds. Much of the artist’s work is rooted in his lifelong fascination with the scientific field of biology. In an interview with the publication Massage, he says he actually considers himself to be a reverse-biologist. Instead of studying real creatures in the natural world, he creates new ones and worlds for them to inhabit.
Toy photographer Brian McCarty comes to the Virginia Museum of Contemporary Art on Oct. 6 to share insight on his ongoing project, WAR-TOYS. The artist has visited countries like Syria, Iraq, and Israel since 2011, allowing kids to art-direct his photographs of found toys. The scenes emulate the atrocities witnessed by the children and their fears. At times, the backdrops for these photos are the actual sites of the events described. A piece by McCarty appeared on the first issue of Hi-Fructose Magazine.