Australian artist David “Meggs” Hooke, opened his solo exhibition “Spoiled Rotten” at Inner State Gallery in Detroit on September 19. Using explosive bursts of colors and raw layers of texture, “Spoiled Rotten” explores themes of consumerism and over-obsession with pop culture as Hooke takes iconic images such as Mickey Mouse and yellow smiley faces and exposes their disposability.
Road trips, the first sunsets (and sunrises) of the fall, a few beers, abandoned houses and a group of artists — that pretty much sums up the flurry of activity that took place at Salton Sea recently. The “accidental” lake (engineers originally dug an area for faster irrigation) in the Colorado Desert in Southern California was the setting for friends Eddie Colla, 2wenty, Nite Owl and Caratoes, who all made their mark there with signature work.
Dabs Myla’s oddball characters, Rime‘s vivid colors and Persue’s trippy paintings all share an animated style- and tend to tread sensitive topics. On Saturday night, their worlds collided in “Touchy Subjects” at The Seventh Letter gallery in Los Angeles. Co-existing in the same space, it was almost like a scene out of toontown in In Who Framed Roger Rabbit. Everything comes to life in a remarkably fun way, but it’s also slightly dangerous, erratic, and yes, touchy. More after the jump!
Closing this week at Marcas Contemporary Art, “Smoke & Mirrors” (previewed here) highlights largely figurative works and portraits whose subjects appear in a dreamlike state. Generally, “Smoke and Mirrors” refers to where magicians make objects appear or disappear with mirrors amid a distracting burst of smoke. Although there is unity in the approach, this is an exhibition that embraces diversity. As the name suggests, there’s an otherworldly, sometimes “magical” quality to the artwork.
Interdisciplinary artists NEVERCREW (composed of Christian Rebecchi and Pablo Togni) balance whimsy and calculated design in their latest mural, “Interpretive Machine n°1,” which recently debuted at the Urban Art Festival of Winterthur in Switzerland. In the piece, a friendly-looking whale is subsumed in a plume of rainbow clouds. But as one approaches, it becomes apparent that the beast is hooked up to some sort of apparatus. Its fantastical flight, one begins to suspect, is a mere illusion. The artists employed elements of the former factory on which the piece was painted, using the real-life context to add to the juxtaposition of the practical and the extraordinary. Take a look at some photos of the piece below.
Officially opening today, Art Prize is a unique art festival and contest — perhaps one of the most democratic iterations of an art fair out there. The unlikely locale of Grand Rapids, Michigan becomes a playground for artists. Any part of downtown is fair game to use as a venue — no gallery endorsement needed — and anyone, regardless of their resume, can qualify as an exhibitor. The art projects are on view for two weeks while the public votes on which artist will be awarded the large cash prize. For her entry, artist Crystal Wagner created two installations in the Urban Institute for Contemporary Arts using household items (plastic table cloths and chicken wire are two of her signature materials) to weave two enormous, sprawling sculptures in the venue’s entrance and along the south staircase.