“EMOTIONAL CONTENT: Works on Paper” brings the work of nine artists to Evoke Contemporary in Sante Fe, N.M. Curated by artist Kent Williams, the show defies what Williams considers to be a prevalent aspect of contemporary art: detachment. In a statement, the artist clarifies the charge of this show, which kicked off Sept. 30 and runs through Nov. 19 at the gallery.
Jun Seo Hahm is a Seoul-based digital animator and designer, known for his delightful fictional creatures that inhabit other worlds. Much of the artist’s work is rooted in his lifelong fascination with the scientific field of biology. In an interview with the publication Massage, he says he actually considers himself to be a reverse-biologist. Instead of studying real creatures in the natural world, he creates new ones and worlds for them to inhabit.
Toy photographer Brian McCarty comes to the Virginia Museum of Contemporary Art on Oct. 6 to share insight on his ongoing project, WAR-TOYS. The artist has visited countries like Syria, Iraq, and Israel since 2011, allowing kids to art-direct his photographs of found toys. The scenes emulate the atrocities witnessed by the children and their fears. At times, the backdrops for these photos are the actual sites of the events described. A piece by McCarty appeared on the first issue of Hi-Fructose Magazine.
Eguchi Ayane is a Japanese artist whose oil paintings transport the viewer to candy-colored fantasy lands. Yet within these whimsical worlds, startling scenarios unfold. Juxtaposing ‘cutesy’ images of teddy bears, bow ties and charming creatures with the darker undercurrent of her narratives, the artist expresses the duality of not only her world, but ours as well. Find more of her work on Twitter.
Marlène Mocquet is a French artist whose chimerical paintings and sculptures portray strange worlds full of quirky, animated characters. Her surreal creations often have a sense of childlike whimsy and humor; other times, they turn dark and tumultuous, and verging on grotesque.
Australian artist Kate Shaw combines “paint pours”, collage, glitters and inks to render psychedelic landscapes. The colorful images yield awe-inspiring effects, yet are accompanied with a dark undertone. While they may capture the “transcendent beauty” of nature, at the same time they hint at the troubling environmental changes brought on by human activity.