by Andy SmithPosted on

Daniel Bilmes plays with texture in his oil paintings, with small and meticulous strokes crafting absorbing portraits. Often limiting his colors, Bilmes is able to extract a vibrancy out of his intricate linework and abstractions. His portraits seem to be a continuation of oil traditions while mixing in new applications.

by Andy SmithPosted on

“Bhabharosi” at Nicodim Gallery in Los Angeles is the first solo show from Simphiwe Ndzube outside Cape Town, South Africa, the artist’s hometown. The strange, headless and limbless figures that travel throughout the paintings and sculptures of Ndzube have their own mythology. Read about the lore below:

by Andy SmithPosted on

Chilean photographer and visual artist Jon Jacobsen works within the tension of the real and the fabricated in his digitally manipulated works. The artist has recently explored this with make-up artist Alex Box, dancer Jonathon Luke Baker, and director Nick Knight in a film created during his SHOWstudio residency. Their “Die Verwandlung” film “encompasses a fashion film, editorial and process imagery exploring metamorphosis and motion, informed by Jacobsen’s interest in the dichotomy between digital and organic states.”

by Andy SmithPosted on

The sculptures created by Romanian sculptor Bogdan Rata are disturbing in how they alter and mutate a seemingly realistic human body. Sometimes, he blends body parts into singular, strange creations. In other projects, he flattens the entire body and bends it to his will.

by Andy SmithPosted on

Andrea Kowch‘s stirring acrylic paintings combine both earnest reflections on the Western experience and surrealism. Her latest works, primarily focused on female subjects, place that discontent against rustic backdrops. Mixing in elements of nature, she’s able to make unexpected connections.

by Andy SmithPosted on

South Korea-raised, Melbourne-based artist Kim Hyunji (also known as Kim Kim Kim) crafts stirring oil portraits that experiment with texture and movement. The artist has said that unlike photographs, “painting no longer relies on flatness; instead it has branched out in the expanded field where I see paint as a sculptural material to add physicality to my portraits.”