Sascha Braunig’s paintings nearly overwhelm the eyes with their barrage of contrasting colors. Their CMYK color palette gives her works a digital glow. Iridescent gradients shift from yellow to electric blue, hot pink to neon green. Geometric forms and patterns contour her figures’ faces and bodies, their voluminous forms more akin to the images produced by 3D modeling software than rendered with a paintbrush. Braunig’s paintings feature an Op Art aesthetic executed with realist techniques, resulting in an otherworldly portraiture style filled with optical illusions.
Tomorrow, California based graffiti artist Doze Green will celebrate his fifth solo at Jonathan LeVine Gallery, “Out of Knowhere”. On the show’s concept, Green shares, “This is my interpretation of the soul’s journey. Leaving behind illusion, ego and material to connect with the self and converge with the source of life.” A recent video takes viewers behind the scenes, where pieces from Green’s rural life are mirrored in his paintings. Among his inspirations are the seasons, reincarnation and the natural cycles of human, plant and animal life.
Nicola Yeoman creates cryptic installations by altering and rearranging mundane objects. Often installed in abandoned buildings or outdoors, her ephemeral works live on in the form of photographs that become works of art in their own right. Many of Yeoman’s pieces explore typography. In one, she piled and hung wooden chairs in two sections of a room. Viewed from a specific angle, the chaotic arrangement of furniture forms the letter “D” with its negative space.
UK graphic designer and artist Chris Labrooy riffs on custom car culture in his latest digital illustration series, “Tales of Auto Elasticity.” A follow-up to last year’s “Auto Aerobics,” in which Labrooy placed his bendy, sculptural low riders in a city park, “Tales of Auto Elasticity” shows pick-up trucks with yogic flexibility bending to extreme degrees in a rural parking lot. Though Labrooy’s work exists only on the computer screen, it evokes sculptures like Erwin Wurm’s pudgy sports cars (featured in HF Vol. 22) and Ichwan Noor’s Beetle sphere (covered here). Perhaps Labrooy should consider sculpture as his next step.
While Brooklyn-based duo FAILE (featured in HF Vol. 18) first garnered attention for their street art, they have made a name for themselves with their mixed-media works and immersive installations. Their collage-like imagery borrows from vintage storybook illustrations and punk rock poster art alike and they seem to enjoy pouring on the sensory overload. The duo currently has a show at Allouche Gallery in New York, “FAILE: Works on Wood: Process, Paintings and Sculpture.”
Japanese artist known as Mr., a member of Takashi Murakami’s Kaikai Kiki collective, earned worldwide attention by directing the music video for Pharrell Williams’ “It Girl”. His vibrant, Pop Art-inspired paintings of Anime characters and graffiti elements have been likened to “the display in one’s dirty bedroom.” On November 22nd, Seattle Museum of Art’s Asian Art Museum will present his first major museum retrospective in the United States. As a full retrospective of Mr.’s career, the exhibit will include his early paintings and drawings, and film work, to a new series of paintings created for the show.