by CaroPosted on

Exhibiting concurrently with Jonathan Viner’s “Cold Snap” (previewed here), will be “Black Moon New York” by longtime friends, Jessicka Addams, Camille Rose Garcia, Elizabeth McGrath and Marion Peck. With the help of gallerist Alix Sloan of Sloan Fine Art, they began their collective for “Black Moon” in 2013, inspired by their special comradery. This year, they’ve created a more ambitious body of work inspired by autumn. Autumn and the idea of witchcraft is represented here in their signature stylistic choices. All share a dark and disturbing quality mixed with a dash of playfulness. Rather than depicting this famous seasonal character as evil, each makes a connection between witches and their kin.

by Roxanne GoldbergPosted on

With a focus on light and perspective, Olafur Eliasson’s installations have a transformative capacity that allows the viewer to experience the illusion of a supernatural environment. In an interstitial space of the Samsung Museum of Art in Seoul, Gravity Stairs is composed of glowing spheres which, attached to the ceiling and bathed in warm yellow light, resemble the sun. The otherworldly light and a mirror on the ceiling present an impression of floating through space and among celestial bodies.

by Nastia VoynovskayaPosted on

Bright flora bursts in Kent Williams’s paintings (featured in HF Vol. 21). Thick brushstrokes of hot pink, mint and navy hint at an arrangement of organic growths. Williams frequently positions his subjects in the outdoors, where they inhabit areas that seem wild and overgrown yet feel contained like miniature Edens. His characters fervently move as if enacting a frenetic dance performance, their motion captured by his expressive use of paint. While Williams has been widely recognized for his figurative work over the past 20 years, his first solo show with 101/Exhibit in Los Angeles, “How Human of You,” marks a shift into abstraction. Figures are still present in many of the works, but Williams removes the idea of time and place, instead suspending them in an imaginary space where his flamboyant color choices elicit a visceral, emotional response.

by Nastia VoynovskayaPosted on

A New York City art space with a penchant for the macabre, Last Rites Gallery currently has its annual group show, “The 13th Hour,” on view just in time for Halloween. The show features artists who have come to be associated with Last Rites — Dan Quintana, Naoto Hattori, David Stoupakis, menton3, Paul Booth — as well as many unexpected participants like Hannah Yata, Nicomi Nix Turner, Brin Levinson and Jean Labourdette. However, these are just a few examples of the show’s wide-ranging roster. Take a look at some highlights from the exhibition below and check out the show through November 15.

by CaroPosted on

Relatively new to New York’s Chelsea gallery scene, B2OA recently debuted the highly saturated and frenetic paintings of Kazuki Umezawa. His exhibition “Empty god CORE” which opened last Thursday evening, was notably the multi-disciplinary artist’s first in the United States. His large scale paintings may look digitally Photoshopped, however they are hand painted and intensely planned collages- Umezawa’s reimaginings of modern day Japan, created by intricately cut and carefully placed paper images, combined with original drawings.

by Nastia VoynovskayaPosted on

Sometimes our crassest jokes reveal our hidden anxieties, while other times we create beautiful rituals surrounding that which we fear. It’s human nature to make light of death in order to not be consumed by the often incomprehensible idea of mortality. Examining a spectrum of responses to this difficult subject, Seattle gallery Roq La Rue recently collaborated with The Piranha Shop for a touring exhibition, “Boxes of Death.” Featuring well-known artists from the Pop Surrealist and low brow currents — like Camille Rose Garcia, Isabel Samaras and Casey Weldon — the show hit stops in LA, Portland and San Francisco and will be exhibited in Seattle for one night only at The Piranha Shop tomorrow, October 17.