In this installment, we focus on the big one. As daunting and seemingly endless as Art Basel Miami Beach can seem, the the 500,000 square-feet of exhibition space yields opportunities to see both worthy emerging and trusted talent alongside the other. The sampling size is quite massive: more than 4,000 artists and more than 200 galleries represented.
Mia Brownell, a Chicago-based artist and daughter of a sculptor and biophysicist, has a new body of work that she says “simultaneously draw on scientific images of platelets (tiny blood cells shaped like plates) and the history of the painted food still life.” The new series is called “Plate to Platelets: and other things that travel and bind,” and it features several new palette paintings. Brownell is featured in the Hi-Fructose Collected 4 Boxset.
Since its debut 15 years ago, Art Basel Miami Beach has spawned and spread across Miami and Miami Beach, with dozens of new fairs and events in tow. This year, we’re visiting some of these efforts. It can be a bit daunting (and a bit cringey) to navigate at times, but in these diaries, we’re going to take a look at some of the work that, for better or worse, made us pause during walks down those long hallways.
The textile work of Sabine Feliciano may recall a past biology class for some, as her “dissections” of animals play with the vibrant and textural possibilities of the form. Her “Wild Textile World” takes us inside varying creatures of the natural world. And each takes the traditionally gruesome and adds something new, even lighthearted, to these explorations.
John Guy Petruzzi uses watercolor and acrylics on synthetic paper for his vivid explorations on ecological disaster. The vibrant pops across these scenes from the natural world may be intriguing, but they tell a story far more ugly. As fellow painters Lauren Marx and Tiffany Bozic explore the dire consequences of our actions in meditations on life and death, Petruzzi also adds to this conversation a clashing and blending of textures and materials.
The round, yet otherwise nondescript characters in Nadeem Chughati’s paintings and drawings feel the universal burdens and curiosities of any person. Whether he places them against lush landscapes or desolate, monochromatic backdrops, the vagueness of his figures remain. This changes the typical point of entry for figurative works. “I feel that people are very similar in many ways, so expressing my feelings can often strike a chord with those who relate to the situations that I put my characters in,” the artist said, in a past statement.