by CaroPosted on

“Their world was soft like melancholy. The conversation was silent. Their faces were small and round, incapable of invoking fear. Once the door was open, nothing could be unseen.” This is how Kathie Olivas describes the childlike subjects of her latest exhibition at AFA gallery, “Safe from Tomorrow”. The show boasts a series of 20 new paintings and 16 sculptures inspired by early Americana portraiture. The nostalgia felt by her palette and inspiration is constrasted with a concept set in the future.

by CaroPosted on

Praeteritum Nunc Futurum. Translation: Past, present, and future. Tomorrow night, Merry Karnowsky gallery closes out the year with past and new works from their roster, serving as a preview of 2015. References to time can also be found, as in the Victorian subjects in Lezley Saar’s piece, or Nicola Verlato’s sweeping scene starring Kimbra in an old Western gone wrong. Preview after the jump!

by Nastia VoynovskayaPosted on

Emerging artist Lauren Marx explores the intricate process of decay with her surreal and often grotesque drawings and paintings. Animals become enmeshed in each other’s flesh as tendons and sinew rip apart, exposing their innards. While the subject matter often triggers an initial reaction of repulsion, Marx’s ornate line work and graceful compositions are pleasing to the eye. Take a look at some of her latest work below.

by Nastia VoynovskayaPosted on

Chicago-based artist and illustrator Jacob van Loon’s watercolor paintings present an otherworldly architecture that explodes with abstract shapes and blotches of color. While watercolor is medium that is notoriously difficult to control, van Loon manipulates it into rigid lines and precise angles. At a certain point in the painting, however, he seems to get bored with structure and begins to dismantle his careful work with expressionistic, unrestrained brushstrokes. Some of his pieces incorporate organic shapes that he renders with intricate textures that evoke cell structures or perhaps an alien plant species.

by Nastia VoynovskayaPosted on

Two solo exhibitions currently on view at Last Rites Gallery in New York, Kelley Hensing’s “The Animal Within” and N.C. Winters’s “Overgrowth” examine humankind’s darker impulses through folkloric visuals and occult imagery. Winters’s sculptural paintings with hand-crafted float frames depict characters undergoing processes of decay, their faces being consumed by plants and fungi. The artist explores the idea of being overtaken by nature as a metaphor for the voraciousness of an untamed, unruly mind.

by CaroPosted on

Tonight, Mark Miller Gallery in New York celebrates what they call an anti-Santa event, “Beasticon II: Monstrous Art by Uncaged Creatures”. Co-curators Lori Nelson and Antony Zito are painters who glorify the eccentricities of their subjects. At her website, Nelson says, “I became interested in the nature of the Beast. Has the myth of the half-man-half-beast persisted because we have always all felt its undeniable presence on some level? Where does the Beast dwell? What does the Beast do for a living? What does the Beast do for fun? Most importantly, what is the Beast?” She and Zito posed these questions to other artists including Laetitia Soulier, Jessicka Addams, Christina Pitsch, Eduardo Benedetto, Joshua Ben Longo, and more, who offer a range of paintings and sculpture.