Floral artist Nicolai Bergmann and design firm Onesal put together a series of digital loops for the “Hanami 2050” exhibition in Fukuoka, Japan. The works were created under the idea of “Future Flowers.” The project was staged at the historic Shinto shrine Dazaifu Tenmangu. Onesal was last featured on HiFructose.com here.
Oscar Oiwa’s latest 360-degree drawing, “Paradise,” is hosted in Japan House in São Paulo. The Brazil-born artist is known for both his immersive installations and his canvas pieces, with the artist’s work on display at the space until June 3. The artist used 120 marker pens inside of an inflatable dome to create the new work.
Photographer Pelle Cass’s composite photographs use time-lapse techniques to create chaotic sporting events. The artist has said that part of the fun in creating each work is being able to subvert the typical athletic affair and put the crowds in the fields, not in the stands. The artist doesn’t alter any of the settings in the work; he only takes out and adds in figures.
Bom.K continues to evolve his varied, bombastic style with recent work that appears as a controlled cacophony of influences. Works like “Anything” (above) implement spraypaint and the canvas, offering a look at approaches the artist has used throughout his career. He was last mentioned on HiFructose.com here.
Ozabu only uses pencil and graphite in her startling figurative works on paper, using elegant linework and subtle iconography in mysterious minimalist pieces. The Japanese artist is self-taught, and the artist’s long fascination with birds comes through in how figures are accompanied by and are overtaken by winged creatures.
Ronit Baranga balances mischievous and playful themes in her sculptures. And in Booth Gallery‘s upcoming show, “Demons’ Playground,” new examples of this figurative work are collected. Baranga was last featured on HiFructose.com here.