Opening April 21 at Galleria Patricia Armocida in Milan, Agostino Iacurci’s solo show “Appearance and Disappearance” features new paintings and assemblages that riff on the artist’s signature characters. Iacurci’s designs of these anonymous figures have a graphic sensibility: Their faces are composed of simplified, geometric forms that typically come in red, black, and blue. For “Appearance and Disappearance,” Iacurci breaks down these figures further, using their forms as a structure for introducing surreal visuals. In the weeks leading up to the show, he also put up two enormous, hand-painted billboards that tower over the Cadorna Square and Loreto Square, two highly-trafficked points of Milan.
On April 24, Paradigm Gallery + Studio in Philadelphia will debut two solo shows that explore humans’ connection to nature: Nicomi Nix Turner’s “No God for a Wanderer” and Sarah Louise Davey’s “The Garden of No Distant Place.” While Davey works in clay and Turner, in pencil, the two artists share a common interest in feminine, nymph-like characters that seem to belong in the wild.
This Saturday, Merry Karnowsky gallery will exhibit 17 new works from their roster with “Aggregate”. The exhibition is part of the gallery’s expansion as the KP Projects, here celebrating their collaboration with Zero+ Publishing. Curated by founder Kirk Pedersen, the show is a unique gathering that includes Andrew Hem, Edwin Ushiro, Augustine Kofie, Yumiko Kayukawa, Lisa Adams, Mercedes Helnwein, Blaine Fontana, and Dabs Myla, to name a few. Together, their paintings embody an adventurous spirit that is in tune with their editions, also on display.
Jason Borders’s carved animal skulls are morbidly fascinating. While the ornate, lace-like patterns he engraves into the bone draw viewers in with their beauty, it’s easy to become repulsed when you truly think about the origins of his materials. “A large part of what I do involves a familiarization with death,” he says. “My belief is that, as painful as it can be, looking directly at death helps you to live your life with intent and purpose.” While, in Western culture, we tend to remove death as far away from ourselves as possible, perhaps a more holistic way of thinking about it is to view it as part of our existence. In using animal remains to create something new, Borders’ work reminds viewers of the cyclical nature of life.
Brazilian artist Luciano Scherer paints miniature-looking towns run amuck with mysterious visitors. Houses grow legs, winged demons swoop in through the trees, and tiny, dog-like monsters frolic. “I believe in the unsaid, in the inkling, in the doubt and in the estrangement,” he writes in his artist statement. His work impart a feeling of unease and uncertainty as viewers attempt to parse together what is happening. The beauty, however, lies in the mystery.
A veritable expert on the subject of recycling, Czech artist Veronika Richterova uses PET bottles to create whimsical sculptures that are visually appealing and educational. PET bottles are the common, plastic bottles in which most soft drinks are sold. While easy to recycle and remake into other items, most people associate these bottles with pollution in the world’s landscapes and oceans. With her imaginative sculptures, Richterova inspires her viewers to reconsider the waste they put into the environment and find creative, new uses of their discarded items. Check out her cactus-inspired plastic bottle sculptures below.