by Victoria Casal-DataPosted on

Korean artist Yong Ho Ji creates animal/human hybrids made out of recycled tires. Ji calls his variations “mutants” in order to refer to both their hybrid forms and their recycled medium. “My concept is mutation,” Ji says, “the end product is technically from nature; it is made from the white sap of latex trees but here it has changed. The color is black and the look is scary.”

by Amelia Taylor-HochbergPosted on

Despite the meticulous control and calculated perspectives, Canadian artist Adam Lupton’s oil paintings are constantly fidgeting. They mostly feature youth in various incarnations in a blur of motion represented as simultaneous frames, or with different layers of paint exposed. This jitteriness is revealed both through substance, by showing the layers of material creation, or through time, as the viewer pans multiple freeze-frames overlaid on top of each other. What stands still throughout all his work is an obsession with time and chaos, and the individual’s navigation of the two in the constant present.

by CaroPosted on

Los Angeles based artists Karen Hsiao and Dan Quintana each evoke complex life themes in their figurative work. They will combine subject matter with “Perverse Foil”, opening August 2nd at Marcas Contemporary Art in Santa Ana. Hsiao, who is also a professional photographer, will be exhibiting original paintings and drawings in collaboration with Quintana, who has created surrealistic works based on her photos. A live demonstration at the opening will give attendees a look of their collaborative process. Take a look as we go behind the scenes after the jump.

by Nastia VoynovskayaPosted on

Eerily cheery and cheerily eerie, Nouar’s resin-dipped mixed-media works debuted at her solo show “Satisfaction Guaranteed” at CHG Circa in Culver City on July 19. Her confectionary work — somewhere between painting and sculpture, two-dimensional and three-dimensional — was paired with Hikari Shimoda’s (HF Vol. 29) equally vivid, candy-colored series of paintings in her concurrent show “Fantastic Planet, Goodbye Man” opening on the same night.

by Elizabeth MaskaskyPosted on

Mexican artist José Luis López Galván works with oil paint to create dark and unsettling scenes that can be simultaneously erotic and grotesque. His paintings further estrange the viewer by calling to mind wildly different artistic styles, from the quietly dramatic chiaroscuro of Rembrandt to the surrealism of Dali. López Galván maximizes the dramatic potential of oils, creating lush and eerie tableaux that are populated by enigmatic characters, such as anthropomorphic and lavishly attired rabbits, disembodied limbs and half-human robots. As in paintings by the Old Masters, López Galván’s storybook-like scenes often feel like allegories for a larger narrative. In this case though, the background story resembles the logic of a nightmare or a hallucination more than the workings of the divine.

by Nastia VoynovskayaPosted on

Finnish artist Tapio Mömmö takes utilitarianism to the next level with his digital illustrations, where bodies are fused with the handy tools that enable our survival in the wild. While humans can’t spend too much time in open water, for instance, Mömmö presents a solution in the form of a person, dressed in a practical parka, whose head has been replaced by a fishing boat. Another headless person in snow gear, under Mömmö’s digital knife, has a sled annexed to their torso. Far from elegant cyborgs, these characters offer a comical answer to the fantasy of having superhuman capabilities.