by Andy SmithPosted on

The practice of Jesse Draxler, who recently illustrated the cover of the new Daughters album, combines painting and photographic collage. Working primarily in grayscale, both the artist’s illustrative and fine art work are packed with harrowing portraits. The artist has also crafted work for the bands Vowws and Deafheaven.

by Andy SmithPosted on

“Sawdust provocateur” AJ Fosik crafts totem-like wooden sculptures influenced by taxidermy, rituals from varying cultures, and folk art. He’s also one of three artists crafting installation projects at SCOPE Miami Beach‘s atrium (Dec. 4-9), marking Hi-Fructose’s 14th year in publishing. Fosik was the cover artist for Hi-Fructose Vol. 18 and was last featured on HiFructose.com here. Below, he talks to us about what’s ahead:

by Andy SmithPosted on

Evren Erol’s mixed-media sculptures appear to exist in states of change, dissipating or entering into life. Blending acrylic painting on polyester and wood, the artist is able to convey figures that are seemingly liquid in nature. And while cerebral in concept, the work’s most striking quality is how visceral that transformation appears.

by Andy SmithPosted on

Recycling packaging materials and other discardables, photographer Suzanne Jongmans crafts Renaissance-style portraits that examine contemporary consumption. The artist finds value in these otherwise overlooked materials; elsewhere, she piles clothes and finds beauty in unfinished garments.

by Andy SmithPosted on

Jack Irving’s wearable art carries a texture and movement that take the human body to otherworldly places. In his latest “live installations,” whether on the runway or at the Victoria and Albert Museum in London, his works appear to burst from their models. These settings also show how his work functions in both broad daylight and the sets he designs himself.

by Andy SmithPosted on

William Kidd‘s ceramic sculptures imagine lifeforms that don’t exist in our world. The artist attributes the particularly organic appearance of his pieces to “the choice of a low-fire red earthenware clay which is then finished using oxide stains, underglazes, and my signature crawl glaze.” He says that those materials allow the richness and natural vibrancy of his work to shine.