by Andy SmithPosted on

Ryan Hewett’s experimental formations of the human figure, shaped with knives, brushes and paint rollers, return in a new show at the Unit London this month. Among the fresh works offered in “New Paintings” is the massive “Memories,” measuring more than 11 feet by 6 feet. The work took more than a year for the South African painter to finish. Hewett was last on our site here.

by Andy SmithPosted on

Alessandro Fogo’s oil paintings reach back through time, taking a deep inspiration from history with stirring results. There’s a sense of ritual in many of the Italian artist’s recent work, with connections so numerous that the end result is a broader look at our human history.

by Andy SmithPosted on

Whether Dutch still-life, late Romantic oceans, or the work of Delacroix, Matthew Hansel‘s recent major oil paintings bring the artist’s distorting lens to different parts of art history. The latter paintings, in particular, show a disappearing, exposing the raw linen at the top of each work. He’s currently showing these paintings at The Hole NYC in “Giving Up the Ghost.” The show runs through July 7.

by Andy SmithPosted on

Naudline Pierre‘s paintings offer a look into both a broader spiritual plane and her own “personal mythology.” The paintings, intimate and otherworldly, explore the vibrant and unseen. The artist’s ghostly oil paintings has been shown in New York City, Los Angeles, London, and beyond, and she is a a recipient of the Terra Foundation for American Art residency.

by Andy SmithPosted on

Examining the theme of survival, the floral figures of Sage Vaughn‘s recent body of work carry elegance and provocation. Recent work shown at Unit London, rendered in acrylic, ink, oil, and vellum on canvas, show an artist reflecting on the power and harshness of nature. Vaughn was featured in Hi-Fructose Vol. 26.

by Andy SmithPosted on


The London Police

The 52nd Volume of Hi-Fructose is coming! This coming issue arrives in July and features print-exclusive articles on: the paintings of Aron Wiesenfeld, the dynamically disturbing charcoal drawings of Anna Park, the bright and mysterious houses of Valeriya Volkova, the figurative paintings of Denis Sarazhin, Shyama Golden and the elusive Catsquatch, the graphic novel inspired sculptures of Troy Coultermanan, painter Max Seckel, the nightmare-fueled paintings of Sean Norvet, and Amsterdam street/mural artists The London Police on the cover, plus a 16-page insert on the art of Jim Woodring! Order a copy today here. Or subscribe today here and receive a subscriber-only exclusive sticker by Jim Woodring and a year’s worth of HF delivered direct to you.