by Andy SmithPosted on

David Ambarzumjan’s large strokes across scenes reveal either what once existed or what will come to pass in landscapes through time. The 20-year-old painter, based in Munich, uses oils to craft these scenes, but has also experimented in watercolors, acrylics, pastels, and other materials. The particular series above and below, titled “Brushstrokes in Time,” take on differing eras of history.

by Andy SmithPosted on

Baldur Helgason’s animation-inspired oil paintings actually function as a “self-portrait,” as the artist has created an avatar of himself that he places in situations that have notes of art history and contemporary living. Through the more exaggerated and duplicated aspects of this character, he’s able to explore cerebral and personal themes.

by Andy SmithPosted on

In a set of encaustics and prints, artist Ethan Lauesen explores the perceptions of gender and LGBTQIA+ identity in regions like Interior Alaska. The work both documents and serves as a personal expression of those themes, also enveloping race and sexuality in this sprawling visual statement. Lauesen often shares looks into the process behind these works on their Instagram account.

by Andy SmithPosted on

Exploring the reality of “distorted or inaccessible memories,” Eliana Marinari applies several layers of aerosol acrylic paint over ink and pastel drawings. In the artist’s “Recognition Memory” and “Recollection” series, portraits and still-life works are given this treatment, respectively. The resulting work is both haunting and brings reflection on our own limitations, as viewers.

by Andy SmithPosted on

There’s a shapeshifting quality to the paintings Ricardo Estrada, whose subjects are physically inhabited by cultural iconography. The Los Angeles native specifically focuses on Chicano culture, whether in his murals or acrylic paintings. Each carries intricate brushwork that allows Estrada to transition between differing textures and planes of reality.

by Andy SmithPosted on

Even when he’s playing with classical motifs, there’s something unmistakably current about the sculptures and drawings of Thomas Lerooy. In recent work, his characters have cherubic bodies but golden skulls as heads. The effect is both humorous and slightly menacing, as these youthful creatures scale surfaces around the room.