In Prescilla-Mary Maisani’s latest series of sculptures, “Frog’s Dynasty,” she presents amphibian deities that reflect contemporary self-infatuation. Displayed poolside, their obsession with luxury is underscored, with the artist recently displaying these works in Corsica. While previous series manipulated the human form, Maisani’s new set takes a more cartoonish and sardonic turn.
Italian artist PixelPancho is known for a fascination with robots, yet his massive murals go beyond contemplations on technology and into metaphysical territory. His work, found on walls across the world, offer an interconnected narrative from piece to piece, gradually unfolding the painter’s broad examination of what it means to be human.
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The work of Gerwyn Davies blends photography and sculpture, utilizing everyday objects to obscure the body and create surreal vignettes. In his “Alien” series, the artist’s use of simplistic, geometric shapes offer an interplay between light and shadows against diverse backdrops. Elsewhere, in summer-themed series like “Heatwave” and “Sunny Boys,” he manipulates inflatables to evoke sun-soaked decadence.
Musician and visual artist Jon Langford offers pop-infused woodcuts in his new show at La Luz de Jesus Gallery: “Make Americana Great Again,” kicking off on Sept. 6 at the space. Otherwise known as a founder of punk act The Mekons and a member of alt-country act The Waco Brothers (among other bands), the artist’s work shows that one form is not divorced from another. Langford was at one time the artist-in-residence at the Country Music Hall of Fame and Museum in Nashville.
Dasha Pliska’s pencil drawings carry drama and ghostly grace. The Ukraine illustrator works primarily in monochromatic modes, elegantly moving between skin tones and billowing forms moving across the page. And recent personal projects, such as “repletion,” show the artist’s knack for utilizing negative space.