by Nathan SpoorPosted on

Syd Bee is a Seattle-based painter that creates figurative paintings that often appear to exist in a dreamlike state. Working in oils, the artist employs a technique of creating a pastel-hued glow around her subjects. Bee enjoys the way the soft outer edges of the paintings feel optically; which enhances the mysterious effect produced by her oil paintings. Check out our interview with the artist after the jump, as she discusses her new work.

by CaroPosted on

The colors of autumn are beautiful, but the season represents the cycle of life which must come to an end each year. This moment between summer and autumn is one where life and death are in harmony, a moment that inspired Modern Eden Galery’s current exhibition, “Verdant”. Co-curated by artist Redd Walitzki, featured here on our blog, the exhibit portrays this clash of seasonal abundance with decay. Although Redd Walitzki is not a participant herself, the show does have a taste of her lush and darkly romantic style in works by: Kari-Lise Alexander, Lauren Marx, Lori Nelson, JeanPaul Mallozzi, Lioba Brückner, Jana Brike, Leilani Bustamante, Nicomi Nix Turner, Steve Ferrera, Helen Bayly, Stephanie Pui-Mun Law, Hannah Yata, Syd Bee, Michael Ramstead, Jillian Dickson, and Stephanie Jucker, to name a few.

by CaroPosted on

Growing up in rural Colorado, Oregon based artist David Rice forged a special connection with his environment, which he develops in his colorful illustrations. His works focus on themes of nature through figurative portrayals of animals. Rice forges a link between the natural world and what is man-made in his current exhibit, “Two Creeks” at Antler Gallery, which is showing alongside Syd Bee’s “In My Bones”. In a new series of nine acrylic on wood panel paintings, Rice portrays wild animals with unnatural elements. A recurring element is fabric, which appears as clothing fashioned as cloaks that the animals wear, draped over their backs like blankets, or in more subtle forms.

by Nastia VoynovskayaPosted on

Studying mythology allows one to examine how the values of contemporary culture are transmitted through history. Tying a thread between past and present, Portland’s Antler Gallery invited a group of artists to create portraits inspired by mythical creatures for their third annual “Unnatural Histories” group show. Each piece is accompanied by a short story written by each artist relating their specific character’s tale. According to curators Neil M. Perry and Susannah Kelly, some artists reinterpreted existing myths while others took the opportunity for more inventive storytelling. Participating artists include Josh Keyes, Craww, Vanessa Foley, Michael Page, Hi-Fructose co-editor-in-chief Annie Owens, Siolo Thompson, Brin Levinson, Syd Bee, Jackie Avery, Crystal Morey, Susannah Kelly, Ben Kehoe, Neil M. Perry, Jennifer Parks, Jon MacNair, and Ryan Berkley. Take a look at our preview of the exhibition before it opens this evening.

by CaroPosted on

Next Friday, La Luz de Jesus gallery in Hollywood will dot their walls with thousands of coasters for the third year in a row. As most artists will tell you, it is the smallest works that are the most challenging to create. In the case of the Coaster Show, where the coasters measure 4″ inches round, they require confidence in one’s technique and precision. Their sizes aren’t the only aspect of the show that is small. The affordability of the works attracted hundreds of fans to last year’s show, who scrambled to get a piece by one of their favorite artists. This year, that list includes well-known names alongside emerging talents.

by Nastia VoynovskayaPosted on


April is a big month for Seattle’s Roq La Rue Gallery, with three shows all opening tonight. In their main room, Peter Ferguson presents a new collection of rust-hued paintings set sometime in the 19th century for his solo show, “Prime Meridian.” In this series, anachronistic villagers and city dwellers encounter increasingly more surreal characters than previously seen in his past work. Monsters invade old-fashioned pubs, schools, and manors — perhaps pointing to the monstrosities of the colonial period, the real-world context his work can’t escape.