Smithe’s visceral illustrations disassemble and mechanize the human head, exploring both psychological ideas and how the body can be manipulated. Whether it’s on a screen or adorning a massive wall, his works warrant extended contemplation. The artist often offers process images on his Instagram account.
Mexican street artist and illustrator “Smithe” creates intensely detailed images that combine biological and mechanical motifs. Featured here on our blog, Smithe’s art is a visual collage of everything that he loves; a mix of comics, animation, film, street art, science fiction, but mostly spontaneity and fun. Like his murals, his illustrations portray strange figures and pop-culture characters in a state of deconstruction. They stretch, distort, and melt into the floor, other times falling into a thousand little particles of themselves. Smithe explores the source of such madness in his latest body of work, “Fisuras de la Materia” (“Fissures of Matter”), currently on view at Celaya Brothers Gallery in Mexico.
In a 200 year old building in Mexico City’s central historic district, illustrator, graphic designer and street artist Smithe brings to life scenes from another world. Downstairs from his studio, there is a cantina that still houses a bullet fired from Mexican revolutionary Pancho Villa’s gun. The street outside is on the route of the city’s largest civic demonstrations, which regularly block traffic to the area. Some 20 million people live their lives in the near vicinity. When Hi-Fructose visited his studio and showroom for the Tony Delfino clothing line, for which Smithe serves as creative director, the 26-year-old artist said his work is meant as an antidote, albeit temporary, to this urban madness.
The Mexican street artist and illustrator known simply as Smithe has a definite style about his work. His art is intensely detailed and often surreal. Smithe frequently blends biological and mechanical imagery reminiscent of cyber-punk book cover illustration. His dramatic and action filled style is also reminiscent of rock posters, which also accounts for a large portion of his professional illustrating. Much like his wall murals, Smithe’s work on paper also displays a strong sense of space. Bodies bend and contort as if strange three dimensional puzzles. See more of Smithe’s artwork after the jump.
Greg “Craola” Simkins
The 41st volume of Hi-Fructose arrives in October on store shelves! Pre-order the issue here. This issue’s special 16-page glossy insert showcases cover artist, Greg “Craola” Simkins. Vol.41 features include the art of soft sculptures of John Casey, the gigantic drawings of Sergio Barrale, the cinematic photography of Gregory Crewdson, the sculptures of Crystal Morey, the other-worldly paintings of Smithe, the installations of Crystal Wagner, the dream-like paintings of Shang Chengxiang, and the beautiful sculptures of Gosia. Plus, multi-page reviews on Marion Pecks‘s career-spanning monograph, and a book review on the pin-hole photography of Bethany De Dorest.
See more previews of Hi-Fructose Vol.41 here!
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Celebrating its fourth year, the Richmond Mural Project recently brought a new crop of international artists to Virginia. The project has a goal to create 100 murals in five years, making this year especially ambitious with many artists creating multiple pieces. We’ve covered previous installments here on the blog, where the project has featured murals by Chazme 718, Meggs, Onur, Ron English, Sepe, Smitheone, Ekundayo, Proch, David Flores and Wes21. On July 14th, they were joined by Caratoes, Clog two, D*Face, Evoca1, Inkten, James Bullough, Jason Woodside, Jerkface, Moya, Nils Westergard, and Taylor White.