by CaroPosted on

Brooklyn based artist Jonathan Viner pursues dreamlike visions that blend the design aesthetic of the time he grew up in, the 1970s, with cool tones and pops of bright colors. First featured in Hi-Fructose Vol. 34, and on our blog, one of the strengths of Viner’s oil paintings lies in their stylish look, using elements of the era’s sex appeal, trendy accents, kitsch and fashion, to pump up their nostalgia and intrigue. In his upcoming exhibition “Strange Math” at Roq La Rue Gallery in Seattle, Viner offers a cinematic narrative in a series of new allegorical paintings.

by Nastia VoynovskayaPosted on

It’s blistering cold outside, but the whiskey is keeping you warm and the crackling of the record player is drowning out the howling wind outside. Jonathan Viner’s new paintings for his upcoming solo show “Cold Snap” immerses the viewer in stylized, retro images of this sort of wintery paradise. Filled with nostalgic imagery and elements of ’70s counterculture, his paintings are rife with intrigue amid their idyllic milieu. The works take on an illustrative quality as they let viewers in on an art theft in progress or what looks like an erotic encounter gone awry. “Cold Snap” opens at Sloan Fine Art in New York on October 24 and will be on view through November 2.

by Kirsten AndersonPosted on

Fans of painter Jonathan Viner and his moody, evocative figurative works can get a peek at his latest paintings when Sloan Fine Art unveils his latest at Scope Art Fair in New York next week. Can’t make it? Well then, we have a sneak peek of the work just for you, exclusively for Hi Fructose after the jump. -Kirsten Anderson

by JL SchnabelPosted on

Tomorrow night at Sloan Fine Art in NYC is the double opening of Jonathan Viner’s ‘Computer Science’ & Elizabeth McGrath’s ‘The Folly of St. Hubertus.’ Viner’s work explores the colors and landscapes of his childhood via portraits of computer science majors from the 1970’s; of people who went on to shape the texture of the modern world. The reference material that served as the stimulus for the new work was culled from the internet, a deliberate choice to illustrate how technology has influenced a new generation of artists who continue to work in traditional methods such as oil painting. In contrast is Elizabeth McGrath’s solo, forlorn eight legged stag sculpture, glittering with crystalline skin and pierced with golden arrows. The piece reflects a re-imagning of the legend of St. Hubertus, the patron Saint of hunters. Take a peek at more preview images after the jump.

by CaroPosted on

To the artists in Roq La Rue‘s upcoming exhibition “Lush Life: Reverie”, the lushness of late summer means bright pops of color, surreal fertile gardens, sensual heroines, and luxurious depictions of nature. Opening July 30th, the Seattle gallery is bringing back their “Lush Life” exhibition series with a newfound sense of fantasy. The exhibit features artists that have always explored natural themes to varying degree; Adrian Cox, Amanda Manitach, Ashley Eliza Williams, Casey Curran, Casey Weldon (HF Vol. 32), Christian Rex Van Minnen (HF Vol. 25), Eric Wert (HF Vol, 32), Erin Kendig, Esao Andrews (HF Vol. 8), Helen Bayly, Jeff Soto (HF Vol. 18), Jonathan Viner (HF Vol. 34), Kazuki Takamatsu (HF Vol. 33 cover artist), Lauren Marx, Laurie Lee Brom, Lowell Poisson, Marco Mazzoni (HF Vol. 20 cover artit), Peter Ferguson, Ryan Heshka, Sam Wolfe Connelly (HF Vol. 32), Scott Hove (HF Collected 3), and Tyna Ontko.

by Hi-Fructose StaffPosted on

Our 34th volume of Hi-Fructose kicks off 2015 with a bang. We start off with the carpet sculptures of Faig Ahmed, then present the paintings of Joanne Nam, then delve into the public stick sculptures of Patrick Dougherty. We’re proud to present Big Eyes icon Margaret Keane on the cover with an exclusive interview with the artist by Long Gone John and an introduction by Megan Besmirched! Also we’re excited to offer a fantastic 16-page insert featuring the mixed-media works of Gary Taxali. Then we showcase Tricia Cline’s amazingly strange and detailed sculptures, Jonathan Viner’s paintings, and Floria Sigosmondi’s photographs and exclusive interview. Then we revisit the assemblage sculptures of Kris Kuksi with a major feature showing his latest exhibition, plus the new William Mortensen book, Click Mort, and much more, all in one perfect bound issue! Pre-order the issue here and see a preview below.