by CaroPosted on

Originally from Mexico City, Texas-based Gabriel Dawe primarily uses thread as a means of creating fantastical installations. Combining fashion and architecture, his vibrant threaded works (covered here) exhibit a certain strength and delicacy. Dawe’s ongoing series of sculptures play with textiles on a much smaller scale. Instead of large spaces, in “End of Childhood”, Dawe binds a child’s toys such as metal cars and plastic animals like elephants, horses, and dinosaurs.

by Nastia VoynovskayaPosted on

While one may look at Gabriel Dawe’s installations and call them fantastical and even decorative, the artist considers working with thread an act of rebellion. Growing up in Mexico City, as a boy, the Texas-based artist was discouraged from taking an interest in embroidery. While thread is his preferred medium, he uses it for architectural means. His minimalist aesthetic departs greatly from traditional crafting. Instead, Dawe uses the thread to build translucent, colorful shapes that alter the spaces they inhabit. He calls them Plexuses, a term used to describe branching vessels or nerves. Dawe recently set up Plexus 28, a rich eggplant and crimson-hued piece composed of two concentric circles, at the Virginia MOCA. The MOCA created a time lapse video of the creation of the piece, as well as a short video interview with the artist. Check out more on Plexus 28 below and if you’re curious about Dawe’s other work, take a look at our previous post about the artist here.

by Danny OldaPosted on

Gabriel Dawe‘s site specific installations are at once large yet delicate.  Myriads of multicolored threads shoot across open spaces like rays of light.  An intriguing balance between the installation’s ephemeral atmosphere and the concreteness of the thread seems to transform something about the space it inhabits.  At the same time his installations’ resemblance to a loom (albeit, a giant technicolor loom) can not be escaped.  Indeed, in his statement Dawe explains that his installations “explore the connection between fashion and architecture, and how they relate to the human need for shelter in all its shapes and forms.”  With this in mind, each of his Plexus installations, as they are titled, evoke ideas of clothing as well as shelter and inside space.

by CaroPosted on

Miami Art Week welcomed a new fair last week that went against the norm in support of its exhibiting artists. No Commission Art Fair, curated by Grammy Award-winning recording artist and producer Swizz Beatz, provided exhibition space in Wynwood to emerging artists at no cost and with artists keeping 100% of their sales. An avid contemporary collector, Swizz Beatz is no stranger to the art scene, whose namesake “The Dean Collection” drew crowds at SCOPE Miami Beach last year. No Commission was coupled by some of the week’s best parties, dubbed the “Untameable House Party”, from musical artists Swizz Beatz, his wife Alicia Keys, DMX, Wiz Khalifa, and Pusha T. As for the art, there were several new and impressive sized works on display by artists like Dustin Yellin, Hebru Brantley, Kehinde Wiley, Miss Van, Gregory Siff, Gabriel Dawe, Hyon Gyon, and Tomokazu Matsuyama, among many others featured in the pages of Hi-Fructose.