Stephanie Buer has been exploring the decay and evolution of cityscapes since studying at College for Creative Studies in Detroit in the mid-2000s, where she began to pursue a career in painting and drawing. In her charcoal works, these urban scenes garner a sense of desolation, stripped of even fading hues or sunlight. Buer was last featured on Hi-Fructose here.
Roman Klonek, based in Düsseldorf, Germany, combines the styles of classic cartoons and pop advertisements with the medium of woodcut printing. For the past 15 years, the Poland-born artist has constructed pieces made with knives, chisels, and wood, even if his creations have the precision of other methods. These works ape propaganda, construct original monsters, and recall vintage design.
Nicole Rifkin, a Brooklyn-based artist who specializes in digital illustration, offers nostalgic, brightly hued narratives in her pieces. Rifkin, who does editorial work for The New Yorker and Medium and founded of the art magazine Ipsum, creates scenes that obscure faces and figures, rendering pops of colorful abstraction against realism.
Opening June 25th, Archimedes Gallery will be showing 25 new wood fired ceramic & cast bronze sculptures by Eva Funderburgh and 6 new paintings by Josh Keyes. Special events include, two different Josh Keyes limited edition print releases offered in-house only, starting at 10 am Saturday, June 25th along with Josh and Eva doing an artist demonstration from 2pm – 4pm followed by an artists’ reception from 5pm – 8pm. See preview images of the show after the jump!
Kitsch painter Luke Hillestad, based in Minneapolis, tackles age-old narratives and a primal aesthetic in his works. He partly learned his craft from legendary figurative painter Odd Nerdum, who famously forged a movement that combined the way of the Old Masters with storytelling and emotion. A former land surveyor and classically trained guitarist, there are tinges of other influences in Hellstad’s work.
Jessica Joslin is the creatrix of a curious menagerie of hybird creatures, composed of a varied anatomy of bone, glass, leather and metal, meticulously assembled to look like real specimens. Her work recalls a sense of the Victorian era’s obsession with detail and death and yet retains a playfulness attributed to circus shows of trained animals performing gravity defying feats. Hi-Fructose was recently able to interview the artist, take a look at her intriguing responses after the jump.