When we first posted elusive Queensland artist Lisa Adams, nobody had seen a painting from her in a year because she was quietly collecting new inspiration. She is now putting the finishing touches on her upcoming exhibition at Philip Bacon Galleries, opening November 25th. Adams treats her paintings as a memoir, created chronologically, where making memories is part of the process. Her story is vested in her images. In anticipation of her next show, we take a look back at her work over the years.
Kiev-based photographer Oleg Oprisco’s works modify small details in their real-world settings to convey the essence of fantasy. It is as if his photos give off the fresh, dewy aroma of a wild escape to a desolate countryside that seems to belong to no specific time or place. In one piece, a girl holds up a rolled-up piece of a grassy lawn. Though anyone could do this in real life, in the photograph she seems to wield a sort of power over the land with her powerful, summoning gaze. In another, a model holds a stained umbrella that briefly gives the impression of a multi-colored rain shower before Oprisco’s process of dousing the set in paint gives itself away. These small details invite viewers to indulge Oprisco’s innocent, storybook-like fantasies.
Korean artist Yong Ho Ji creates animal/human hybrids made out of recycled tires. Ji calls his variations “mutants” in order to refer to both their hybrid forms and their recycled medium. “My concept is mutation,” Ji says, “the end product is technically from nature; it is made from the white sap of latex trees but here it has changed. The color is black and the look is scary.”
Despite the meticulous control and calculated perspectives, Canadian artist Adam Lupton’s oil paintings are constantly fidgeting. They mostly feature youth in various incarnations in a blur of motion represented as simultaneous frames, or with different layers of paint exposed. This jitteriness is revealed both through substance, by showing the layers of material creation, or through time, as the viewer pans multiple freeze-frames overlaid on top of each other. What stands still throughout all his work is an obsession with time and chaos, and the individual’s navigation of the two in the constant present.
Los Angeles based artists Karen Hsiao and Dan Quintana each evoke complex life themes in their figurative work. They will combine subject matter with “Perverse Foil”, opening August 2nd at Marcas Contemporary Art in Santa Ana. Hsiao, who is also a professional photographer, will be exhibiting original paintings and drawings in collaboration with Quintana, who has created surrealistic works based on her photos. A live demonstration at the opening will give attendees a look of their collaborative process. Take a look as we go behind the scenes after the jump.
Eerily cheery and cheerily eerie, Nouar’s resin-dipped mixed-media works debuted at her solo show “Satisfaction Guaranteed” at CHG Circa in Culver City on July 19. Her confectionary work — somewhere between painting and sculpture, two-dimensional and three-dimensional — was paired with Hikari Shimoda’s (HF Vol. 29) equally vivid, candy-colored series of paintings in her concurrent show “Fantastic Planet, Goodbye Man” opening on the same night.