by Andy SmithPosted on

The disturbing, dreamlike figures of Cajsa von Zeipel are crafted in mixed media. The artist’s practice moves between polished, bronze creatures and ones created with materials like resin, fiberglass, plaster, styrofoam, steel, synthetic hair, wood, and more. Many seem to be involved in their own narratives, experiencing feelings of terror, ecstasy, or in transit.

by Andy SmithPosted on

The figurative works of Paul Reid revive the world of ancient Greek mythology, yet render new scenes through the artist’s contemporary vantage point. Though Reid’s education and understanding of form owes much to the masters of yesterday, his own cinematic style comes through in each of these scenes, feeling at once elegant and casual.

by Andy SmithPosted on

James Roper’s paintings take the fabrics and textures of the Baroque and create new, abstract explorations. Even when he pits these forms against scenic backdrops, these objects create something otherworldly at the focus of the work. Roper was featured in the Hi-Fructose Collected 4 box set, and he was last featured on HiFructose.com here.

by Andy SmithPosted on

Muralist Eron crafts enormous works that bring both atypical textures and historical context to the structures. One recent piece by the artist (below) “is dedicated to the history of the village and to the destructive fire that was deliberately set in retaliation for italian partisan activities on 3 July, 1944,” the artist shared on Instagram. “The fire destroyed most of the houses.”

by Andy SmithPosted on

In Katja Novitskova‘s recent, massive installation, “Invasion Curves,” the artist offers an environment with creatures taken straight out of nature and the laboratory. The recent exhibition at Whitechapel Gallery offered a fictional landscape facing a “biotic crisis” (or a period of mass extinction), “where imaging and technology are used in a process of mapping the exploitation of life,” the gallery says.

by Andy SmithPosted on

Jen Mann’s stirring oil portraits blend realism and abstraction, isolating aspects of the face for photo-negative representations and graphic notes. Mann uses contemporary iconography in her works, using emojis and film subtitles as inspiration. Her toying with a single subject over many portraits represent the prism of personality.