Alma Haser is known for adding surreal, sculptural twists to her portraits. One of her new series sees the photographer creating puzzles out of images of identical twins, then swapping every other the piece of the separate portraits for absorbing results. Haser didn’t know where facial features would end up in this process, offering a surprise to both the artist and the viewer. Haser was featured in Hi-Fructose Vol. 31.
San Francisco-raised artist Kat Toronto blends performance art and photography under the working name of Miss Meatface, using both vintage Polaroid and contemporary methods. The artist says part of her work stems in having been diagnosed with cervical cancer in 2010 and subsequently having to receive a full hysterectomy. Toronto now uses her moniker “as an artistic and spiritual catalyst to delve into a complex set of questions about where she fits into society as a woman.”
Anthony Hurd’s vibrant, chaotic landscapes carry the complexity of our emotional states. They are at once elegant and arrested, inviting and dangerous. Overall, it may seem like a more abstract direction for the artist, yet in another sense, it’s explorations are wholly human. Hurd says several life events are in the make-up of this work: the loss of a sibling, the end of a relationship, mental hardship, and several other factors play into these paintings.
Ulla-Stina Wikander, an artist living in Stockholm, creates cross-stitched sculptures using domestic and everyday objects as her base. Wikander isn’t dissuaded by the complex edges and surfaces of machinery and furniture: Each piece becomes a surreal, yet familiar art object when embroidered by the artist. Depending on the project, time spent on each work can vary wildly.
London artist Alex Gamsu Jenkins crafts vibrant, satirical illustrations that play on several aspects of the Western experience. His absurd scenes often dismantle and manipulate the human body, with both bleak and humorous results. Much of the artist’s recent work, in particular, seems to tackle our reliance on technology and its eventual implications.
Lars Calmar’s figures, often bare and grotesque, carry a humanity that feels at once humorous and sincerely tortured. Even when using animals alongside his baby-like creatures and hulking brutes, the ceramic works feel as wholly human, though primal, in emotion. The artist’s sculptures have been shown in galleries and museums across the world.