by Caitlin DonohuePosted on

In a 200 year old building in Mexico City’s central historic district, illustrator, graphic designer and street artist Smithe brings to life scenes from another world. Downstairs from his studio, there is a cantina that still houses a bullet fired from Mexican revolutionary Pancho Villa’s gun. The street outside is on the route of the city’s largest civic demonstrations, which regularly block traffic to the area. Some 20 million people live their lives in the near vicinity. When Hi-Fructose visited his studio and showroom for the Tony Delfino clothing line, for which Smithe serves as creative director, the 26-year-old artist said his work is meant as an antidote, albeit temporary, to this urban madness.

by Nastia VoynovskayaPosted on

Originally from Romania, Saddo and Aitch recently relocated to Lisbon where they found themselves caught off guard by the gloomy, damp winter. They describe the cold weather as an oppressive force that kept them indoors, affecting them both physically and psychologically. Their upcoming two-person show at La Petite Mort Gallery in Ottowa, “Coffins” (could there be a gallery name and show title combination more appropriate?), reflects on their rough experience and celebrates the warmth of summer. The two artists, who are frequent collaborators as well as a romantic couple, say that they chose the title because it reflects their state of mind while they were trapped indoors in their damp apartment. Take a look at their morbidly humorous paintings after the jump.

by Jessica RossPosted on

The on-going conversation about San Francisco’s transformating social landscape is one full of shared bitterness and tension. In a city where any given conversation begins with the baseline grievances of high rents, gutted arts programs and the overall influx of wealth and monopolizing industries, it’s no wonder people are frustrated. With that said, one nonprofit is hoping to make a positive impact. Art City, founded by former techie Luke Groesbeck, is a cultural establishment bent on retooling the perspective of San Francisco’s citizens by implementing a month-long public art program. Teaming up with local curators Tova Lobatz and Jenny Sharaf, Way Out West sets out to replace commercial advertising spaces with striking contemporary artworks.

by CaroPosted on

Pablo Picasso once said, “There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.” And while art has evolved dramatically, the classic fundamental of anatomy remains the same. Czech sculptor Monika Horčicová creates ornate installations with polyester resin skeletons as her medium. Some might call her work morbid, others a beautiful reimagining and application of the human form. Her technique requires a keen understanding of anatomy before she can manipulate it- and her work is not just an abstraction. She’s walking a line between natural construction and purely artistic expression. Take a look after the jump!

by CaroPosted on

When we first posted elusive Queensland artist Lisa Adams, nobody had seen a painting from her in a year because she was quietly collecting new inspiration. She is now putting the finishing touches on her upcoming exhibition at Philip Bacon Galleries, opening November 25th. Adams treats her paintings as a memoir, created chronologically, where making memories is part of the process. Her story is vested in her images. In anticipation of her next show, we take a look back at her work over the years.

by Nastia VoynovskayaPosted on

Kiev-based photographer Oleg Oprisco’s works modify small details in their real-world settings to convey the essence of fantasy. It is as if his photos give off the fresh, dewy aroma of a wild escape to a desolate countryside that seems to belong to no specific time or place. In one piece, a girl holds up a rolled-up piece of a grassy lawn. Though anyone could do this in real life, in the photograph she seems to wield a sort of power over the land with her powerful, summoning gaze. In another, a model holds a stained umbrella that briefly gives the impression of a multi-colored rain shower before Oprisco’s process of dousing the set in paint gives itself away. These small details invite viewers to indulge Oprisco’s innocent, storybook-like fantasies.