Photo: Ka-Man Tse for Times Square Arts
Kehinde Wiley recently offered his first public work with the unveiling of “Rumors of War,” a bronze sculpture first shown at Times Square in New York City. The piece was commissioned by the Virginia Museum of Fine Arts and will eventually be installed there. The work, with its contemporary African-American subject, stands in contrast to the Confederate statues that still populate the state that will serve as its permanent home. Wiley was our cover artist for Hi-Fructose Vol. 36.
Photo: Ian Douglas for Times Square Arts
Photo: Ka-Man Tse for Times Square Arts
Photo: Kylie Corwin
“The installation of Rumors of War at the Virginia Museum of Fine Arts in December will be a historic moment for our museum and for the city of Richmond,” VMFA Director Alex Nyerges says. “We hope that the sculpture will encourage public engagement and civic discussion about who is memorialized in our nation and the significance of monuments in the context of American history. We are especially pleased that through the acquisition of this work, the monuments in Richmond will further reflect the incredible diversity of its population.”
See more of Wiley’s work on his site.
Our 36th volume of Hi-Fructose New Contemporary Art Magazine arrives in July! Featured in our next print issue is: a major feature on art pioneer Robert Williams, the colorful installations of Pip & Pop, a review of cover artist Kehinde Wiley's new monograph, Erin M. Riley's embroidered selfies, Chiho Aoshima's solo exhibition in Seattle, Cinta Vidal Agullo's mesmerizing paintings, new works from Portland artist Blaine Fontana, the paintings of Mike Davis, a thought provoking article on the art and travels of street artist Swoon, plus reviews on the Sick Rose; featuring medical illustrations from tester-year and much more! Also, We're thrilled to present this issue's special 16-page insert section featuring Winnie Truong's beautifully strange color pencil drawings, all in one issue!
Painter 
The current art market in the Bay Area is precarious. Two of the City's three major art fairs disappeared last spring, galleries are getting evicted and artists are leaving due to unimpressive sales and rising rents. Curators from San Francisco and Oakland alike are racking their brains about how to appeal to the growing class of Twitterati. There is a disconnect between the Bay Area's influx of wealth and its art. Tucked away in suburban San Mateo, just south of SF, 
Zachary Eastwood-Bloom takes the idea of adding digital-like glitches to traditional sculptures to a visceral level. He created most of these sculptures while he was sculptor-in-residence at Pangolin London. He uses both digital and analogue means to craft the final product, unifying several disciplines for a startling end result.