Menu
The New Contemporary Art Magazine

Group Brings Giant Minotaur, Spider to French Town

A 50-foot-tall Minotaur and a giant spider recently descended upon Toulouse, France, as part of the La Machine theater company's most recent performance. The group, lead by François Delarozière, created the show "The Guardian of the Temple," using the city as a makeshift "labyrinth." Sixteen technicians helped work the minotaur creature alone.


A 50-foot-tall Minotaur and a giant spider recently descended upon Toulouse, France, as part of the La Machine theater company’s most recent performance. The group, lead by François Delarozière, created the show “The Guardian of the Temple,” using the city as a makeshift “labyrinth.” Sixteen technicians helped work the minotaur creature alone.

The group says the company originally “came about thanks to artists, technicians and theatre designers working together for the construction of unusual theatre objects. To bring its creations to life, La Machine has set up two workshops, one in Nantes and one in Tournefeuille. They are home of many different trades and crafts from theatre and the arts, to industry and advanced technology. People and their skills are the very essence of the creative process.”

See more shots and videos from the performance below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Beverly Mayeri’s ceramic figurative sculptures become canvases for surprising, surreal scenes. The Bay Area artist also uses this opportunity to make connections between humanity the broader world around us—as well as more abstract concepts. In a statement, she explains her process and influences:
Charles Birnbaum, a New York City-based artist, creates abstract ceramic pieces that seem both alien and influenced from the stranger part of nature. Whether it’s his wall sculptures or free-standing “vessels,” each pushes the form far beyond its classical uses. His work is held in collections and exhibited across the world.
In the hands of KT Beans, a seashell takes on unsettling qualities. The sculptor says she creates "oddities for humans of the future”: Teeth, eyes, and other human body parts and organs emerge out of unexpected places.
Mexican artist Damián Ortega (covered here) reconceptualizes everyday objects in his sculptural installations. For twenty years, his creative interests have lied in the deconstruction of form and how things are assembled. His solo exhibition at HangarBiocca in Milan, Italy, "Casino," is also a retrospective of his most famous works through today. This includes his new installation, "Zoom," made for the event. The experience of viewing his artwork has been described as "explosive," displaying a burst of energy, like an exploding star. Objects and vehicles such as his Volkswagon Bug, "Cosmic Thing," (2002) are transformed as a critique about technological innovation. See more after the jump.

Subscribe to the Hi-Fructose Mailing List