Menu
The New Contemporary Art Magazine

Pip & Pop’s U.S. Exhibition Debut at Corey Helford Gallery

Tanya Schultz creates vibrant, immersive installation art under the moniker Pip & Pop. This month, the artist unveils her U.S. debut exhibition at Corey Helford Gallery in Los Angeles. "Here Comes Sunshines" kicks off on Jan. 13 and runs through Feb. 17. Pip & Pop was prominently featured back in Hi-Fructose Vol. 36, in a multi-page feature story.


Tanya Schultz creates vibrant, immersive installation art under the moniker Pip & Pop. This month, the artist unveils her U.S. debut exhibition at Corey Helford Gallery in Los Angeles. “Here Comes Sunshines” kicks off on Jan. 13 and runs through Feb. 17. Pip & Pop was prominently featured back in Hi-Fructose Vol. 36, in a multi-page feature story.

You can see some teases of the exhibition in this piece. “Her practice embodies both independent and collaborative processes across varying disciplines including installation, painting, wall-works and sculpture,” a statement says. “Often ephemeral, her meticulously constructed and highly detailed works embrace notions of abundance, utopian dreams and fleeting pleasure. She is fascinated with ideas of paradise and wish-fulfillment described in folk tales, mythologies and cinema.”

See more below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
German artist Monika Grzymala describes her art as being more like drawing than installation works, drawn with sticky tape which wraps and transforms the surrounding space. “Whenever I leave a work, I feel as if I leave a part of me, a part of my body behind,” she says, referring to the performative aspects of her work, where creating each piece requires a physical effort on her part. Her energy as the artist lends itself to the fluidity and dynamic appearance of the tape, which seems to explode from the walls with force.
Lucy McRae's new "Compression Carpet offers a full embrace for those who feel like they need a hug, a meditation on how technology can aid intimacy or support. The "body architect" recently showed the device at Festival of the Impossible in San Francisco. For some, the device may recall the hug machine created by Temple Grandin for stress relief and therapy. With her device, McCrae says, you "relinquish control to the hands of a stranger as your 'servicer' decides the firmness of your hug."
Skunk Control is an ensemble of educators, scientists, and engineers who create installations designed to inspire wonder and “prompt audiences to reflect, question and engage them in the art of discovery.” This immersive pairing of art and science implements electronics, advanced lighting and optics, and other technologies. Yet, often, the group’s gorgeous designs are the points of entry into the works, with the tagline "Where Science Meets Art." The group is based in Australia, at the College of Engineering and Science at Victoria University.
Appropriation art has boomed since Dina Goldstein began her “Fallen Princess” photo series in 2007, which debuted at CHG Circa last Saturday. All over the world, artists seem to be re-contextualizing pop-culture characters in unfortunate situations. Goldstein’s new work may fit into this trend, but she isn’t making a commentary about Disney. As a female visual artist and pop surrealist raised in Tel Aviv, she’s taking an honest look at the challenges that modern women face. Hers is a tongue-in-cheek remark about ideals of beauty and dreams, and how that fits into real-world ‘happily ever afters’. Read more after the jump.

Subscribe to the Hi-Fructose Mailing List