Mia Brownell, a Chicago-based artist and daughter of a sculptor and biophysicist, has a new body of work that she says “simultaneously draw on scientific images of platelets (tiny blood cells shaped like plates) and the history of the painted food still life.” The new series is called “Plate to Platelets: and other things that travel and bind,” and it features several new palette paintings. Brownell is featured in the Hi-Fructose Collected 4 Boxset.
“My inspirations focus on the 17th century still life tradition of plates being painted on the precipice of a table’s edge (often looking like they are about to fall) and how platelets rush to the site of damage to repair,” she says. “I fantasize about what the cultural/social equivalents to platelets could be, as well as, other things that travel and bind in and outside of our bodies. These paintings dissect and interweave fundamental elements of nature, food, and culture – of movement, and impulse – that might be labeled theatric. My motivations stem from the confluences between the seductive excesses of food culture, the vanity and illusionism of traditional still life painting, and the constructed spaces of computer generated scientific imaging.”
The artist has two shows coming up in Denver with pieces from this body of work: at The Fulginiti Pavilion for Bioethics and Humanities University of Colorado at Denver (Jan. 11-March 8) and Goodwin Fine Art (Jan. 12-Feb. 24).
Italian artist 
Swiss painter 
Working out of her Austin studio, 
Joe Coleman's multi-faceted practice, encompassing painting, performance, and writing, has long made him a revered figure in underground art. In his upcoming show at Andrew Edlin Gallery in New York (where Coleman first emerged), "Joe Coleman and The Shadow Self," 25 years of the artist's work is examined. The show kicks off Oct. 25 and runs through Dec. 7 at the space.