Menu
The New Contemporary Art Magazine

AJ Fosik’s Newest Wooden Animal Sculptures

AJ Fosik, a self-described "sawdust provocateur," crafts wooden sculptures that appear as totem-like beasts, extending from the wall with a spiritual vibrancy. The artist counts taxidermy, rituals from varying cultures, and folk art as influences in these pieces. The nature of how the pieces stand or are mounted to walls, in particular, references taxidermic practices. His work adorned the cover of Hi-Fructose Vol. 18.

AJ Fosik, a self-described “sawdust provocateur,” crafts wooden sculptures that appear as totem-like beasts, extending from the wall with a spiritual vibrancy. The artist counts taxidermy, rituals from varying cultures, and folk art as influences in these pieces. The nature of how the pieces stand or are mounted to walls, in particular, references taxidermic practices. His work adorned the cover of Hi-Fructose Vol. 18.

“Ideas of empathy and synthesis are a common duality in the work, whereby the anthropomorphized figures communicate the basic human condition,” a statement says. “Totems and fetishes, as well as the ‘random, chaotic and arbitrary nature of existence,’ fascinate Fosik; though less overt, the animals he creates represent a plethora of icons from various theologies, giving them the subversiveness of a cast of fictional, anti-religious gods. The artist delights in the endless interpretations the works have inspired in his viewers.”

The artist has a new show with Library Street Collective in his native Detroit titled “From Ripe to Rot.” The show collects the artist’s latest flamboyant creations.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In Buddhism, the concept of Samsara is the repeating cycle of birth, life and death or reincarnation as well as one's actions and consequences in the past, present, and future. Japanese artist Isana Yamada chose to embody this idea in his surreal series of translucent whale sculptures for his post-graduation project at the Tokyo University of the Arts. It is a project that ties into Yamada's overall concept of Tsukumogami in his artwork, referring to the traditional belief that long-lived animals possess spirits and gods by the transience of time. At his website for the project, he shares, "The title of the piece is "Samsara", which is a Buddhist term for "cycle of existence". In this work, six whales are swimming in a circle; these represent the six stages of Samsara. Inside each whale encapsulates various objects, such as submarine volcano, sailboat, and a sea of clouds."
The figurative sculptures of Javier Pérez tether our bodies to nature in both morbid and elegant approaches, using material like polyester resin and animal intestines. The artist uses sculpture, drawing, video, and performance art to explore these themes.

The illusionary works of Thomas Medicus include "What It Is Like to Be," an anamorphic sculpture consisting of 144 hand-painted strips of glass that reveal new images when turned. Each of the strips were painted separate from another, and specifically, the new images are revealed when the piece is turned 90 degrees.

Even when he's playing with classical motifs, there's something unmistakably current about the sculptures and drawings of Thomas Lerooy. In recent work, his characters have cherubic bodies but golden skulls as heads. The effect is both humorous and slightly menacing, as these youthful creatures scale surfaces around the room.

Subscribe to the Hi-Fructose Mailing List