Menu
The New Contemporary Art Magazine

Jenny Morgan’s ‘SKINDEEP’ Explores 10 Years of Painter’s Career

Jenny Morgan’s honed blend of abstraction and realistic portraiture unlocks new paths to the personalities she paints. In a new survey of the past decade of her work, viewers can see how that sensibility evolved—and how she approaches giving the portrait treatment to celebrities, when commissioned by national publications. The Museum of Contemporary Art Denver hosts this exhibition, which runs through Aug. 27. Morgan created the cover for Hi-Fructose Vol. 39, and she was last featured on HiFructose.com here.

Jenny Morgan’s honed blend of abstraction and realistic portraiture unlocks new paths to the personalities she paints. In a new survey of the past decade of her work, viewers can see how that sensibility evolved—and how she approaches giving the portrait treatment to celebrities, when commissioned by national publications. The Museum of Contemporary Art Denver hosts this exhibition, which runs through Aug. 27. Morgan created the cover for Hi-Fructose Vol. 39, and she was last featured on HiFructose.com here.

The museum has this to say about how the exhibition is framed: “The exhibition traces the development of Morgan’s distinctive style from traditional portraits made while she was in graduate school to recent works featuring bright, unconventional colors. It will also include the illustrative paintings of celebrity subjects that were commissioned for major American news publications, as well as more personal works for which the artist is best known. SKINDEEP emphasizes Morgan’s abilities as a formalist as much as it showcases her preternatural talent for realistic figuration.”


Morgan, a Salt Lake City native, received her MFA from New York’s School of Visual Arts. Now based in Brooklyn, her work is featured in shows across the world, including runs in London and Sweden.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
British sculptor Sir Antony Gormley explores the relationships between our bodies and the world around us—and even our place in the universe. Through his work, whether in traditional settings, installations, or in public artwork, the artist focuses on the human form with varying approaches. Towering figures like "Exposure" are hunched over in contemplation in the Netherlands. Or in more controlled environments, like galleries across the world, lifesize figures like those depicted in "Domain Field" are scattered across the space.
The work of Sean Landers has long examined the relationship between artists and their own work, including the adventures of the character Plankboy. In a recent show at Rodolphe Janssen Gallery, he shared new paintings featuring Plankboy, many taking on mythological narratives. Landers was last featured on our site here.
Emily Blythe Jones combines painting and sculpture in a way that feels both universally nostalgic and intimate. The Los Angeles-based artist crafts portraits, with 2D and 3D peeks into the past “inspired by an inherited family archive of photographs, oral histories and other ephemera from her Midwestern background.”
The psychedelic paintings of Yu Maeda blend creatures, shifting perspectives, and touches of the artist’s experience in graphic design. Born in Kumamoto, Japan, and currently based in Southern California, the artist combines influences from all of the fields he’s touched, including animation. Some of his more symmetrical works resemble Tibetan Buddhist mandalas, while others take on a more portrait-style look at his monsters.

Subscribe to the Hi-Fructose Mailing List