Menu
The New Contemporary Art Magazine

Sayuri Sasaki Hemann Creates Underwater Worlds in Fabrics

Japan-born, Iowa City-based artist Sayuri Sasaki Hemann creates underwater worlds with fabrics and felt in installations. Projects like “Urban Aquarium,” which started in 2009 and appeared throughout Portland, recreate jellyfish and other sea inhabitants in places them in an airport and other unexpected places.

Japan-born, Iowa City-based artist Sayuri Sasaki Hemann creates underwater worlds with fabrics and felt in installations. Projects like “Urban Aquarium,” which started in 2009 and appeared throughout Portland, recreate jellyfish and other sea inhabitants in places them in an airport and other unexpected places.

The artist says that the project and her love of art go back to childhood, when she would move between Japan, Australia, and Romania, finding refuge in using her hands.



“This ongoing project, ‘Urban Aquarium,’ explores the concept of being ‘out of context’ and ‘displaced’ by recreating a jellyfish aquarium in places where you least expect,” the artist says. “The jellyfish in the wild are displaced when put in an aquarium. Likewise, the jellyfish in the aquarium are displaced when put in front of public passers-by. This project hopes to create a dialogue between viewers about context and displacement and about the unexpected.”

On the artist’s website, she’s broken down the types of jellyfish seen in her installations. See one example below.


Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles

Bisa Butler offers new narrative quilts with two exhibits this spring, at Claire Oliver Gallery and her first solo museum effort at The Katonah Museum of Art. The fiber artist creates startling portraits and scenes with fabric, with her work often being mistaken for paintings. An extended feature on her work appears in Hi-Fructose Vol. 54. Her gallery show runs Feb. 29 through April 18, and her museum show runs March 15 through June 14.

Turkish-American designer Eda Yorulmazoğlu crafts wild costumes, with both distinct body of works and individual creatures as part of her repertoire. Part-fashion designer, part-textile artist, she navigates several spheres, all carrying an absurdism and vibrancy bolstered by bringing them out into the public.
Maryam Ashkanian’s stirring “Sleep” series offers embroidered figures on pillows, with threads creating a sculptural landscape on each canvas. The works carry both an intimacy and are part of a broader practice that implements textiles and painting into unexpected forms. The fiber artist is currently based in Iran, where she operates her studio.
There, but not really. That’s the context for Barcelona-born artist Jaume Plensa’s public sculptures. They might seem like intrusions. They’re large. They’re set where people congregate. And the figures themselves are huge monumental heads. They sit in business districts and in front of an art museum. They emerge from the ocean. They hover above unsuspecting pedestrians. They rest in the neighborhood that surrounds the Venice Biennale.

Subscribe to the Hi-Fructose Mailing List