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Hi-Fructose Volume 41 Preview!

Greg "Craola" Simkins

The 41st volume of Hi-Fructose arrives in October on store shelves! Pre-order the issue here. This issue’s special 16-page glossy insert showcases cover artist, Greg "Craola" Simkins. Vol.41 features include the art of soft sculptures of John Casey, the gigantic drawings of Sergio Barrale, the cinematic photography of Gregory Crewdson, the sculptures of Crystal Morey, the other-worldly paintings of Smithe, the installations of Crystal Wagner, the dream-like paintings of Shang Chengxiang, and the beautiful sculptures of Gosia. Plus, multi-page reviews on Marion Pecks's career-spanning monograph, and a book review on the pin-hole photography of Bethany De Dorest. See more previews of Hi-Fructose Vol.41 here! You can also click here to subscribe to Hi-Fructose.


Greg “Craola” Simkins

The 41st volume of Hi-Fructose arrives in October on store shelves! Pre-order the issue here. You can also subscribe to Hi-Fructose here.


Greg “Craola” Simkins

This issue’s special 16-page glossy insert showcases cover artist, Greg “Craola” Simkins.


John Casey


Crystal Morey

Vol.41 features include the art of soft sculptures of John Casey, the gigantic drawings of Sergio Barrale, the cinematic photography of Gregory Crewdson, the sculptures of Crystal Morey, the other-worldly paintings of Smithe, the installations of Crystal Wagner, the dream-like paintings of Shang Chengxiang, and the beautiful sculptures of Gosia. Plus, multi-page reviews on Marion Pecks‘s career-spanning monograph, and a book review on the pin-hole photography of Bethany De Dorest.


Smithe


Shang Chengxiang


Gosia


Shang Chengxinag

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On the section marked “Giant Drawing” on Sergio Barrale’s website, a factoid provides a sense of the hardship that goes into each portrait: “500-700 pencils died in the process of making these works.” Look into any corner of Sergio’s “faces,” and you’ll believe him.
At first glance, Gregory Crewdson’s photographs are stills from eerie films with small American towns as backdrops. But these movies don’t actually exist. These tableaux, as Lynchian or Hitchcockian as they may seem, are single-frame narratives. Sometimes, the story is one of loneliness, even as multiple people share a room. Other times, there’s something more overly haunting and surreal at work, a moment of sustained horror that exists just after the climax of an arc.
Greg 'Craola' Simkin's childhood memories have long played an important role and inspiration for his artwork. The playfulness of being a child comes together with creatures of the natural world in his mythical landscapes. He calls this world "the Outside", a place where the impossible becomes possible, and a cast of anthropomorphized animals set out on bizarre adventures. Simkins expands on this world in his upcoming solo exhibition, "Where Am I?" at KP Project/MKG, opening Saturday.
On Saturday at Merry Karnowsky gallery, Greg ‘Craola’ Simkins fell down the rabbit hole into a dreamland championed by the “Good Knight”. His latest exhibition (previewed here) shows us a strange and beautiful world where good and evil coexists as armies of decadent animal soldiers. Simkins was inspired by the memory of his parents wishing him “good night” and the elaborate visions that would follow. Take a look at our opening night photos after the jump.

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