Menu
The New Contemporary Art Magazine

Andrea Wan’s Explorations of the Internal, External

Andrea Wan, a Hong Kong-born artist based in Berlin, eloquently conveys both inner dialogue and a sense of exploration in her work. Whether it’s ink and gouache paintings or murals on walls across the world, her work is marked by a mix of human bodies, disparate objects, roadways, and other structures that lead in and out of the psyche. Wan was last mentioned on Hi-Fructose.com here.

Andrea Wan, a Hong Kong-born artist based in Berlin, eloquently conveys both inner dialogue and a sense of exploration in her work. Whether it’s ink and gouache paintings or murals on walls across the world, her work is marked by a mix of human bodies, disparate objects, roadways, and other structures that lead in and out of the psyche. Wan was last mentioned on Hi-Fructose.com here.





In a 2014 interview with Rabbiteye Movement, Wan expounded on her style: “My art is like my journal of thoughts except that it’s processed through a fictional filter. Like in a dream – things might not necessary make sense but we can draw clues from the symbols and overall mood to interpret the subconscious mind.”





It’s in this point that we understand that the sense of exploration in Wan’s work is two-fold. On one hand, the subjects seem to be going through their own journey. Otherwise, viewers can unpack their own greater meanings from clues scattered throughout the works. And even in the form of public art, Wan’s work offers puzzles that make it worth stopping and gazing.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Nathaniel Mary Quinn’s affecting mixed-media portraits recently returned in the show "Always Felt, Rarely Seen" at Almine Rech in Brussels. As with past work (Quinn was last featured on HiFructose.com here), there's a collage-like look to the work, though all aspects are sourced through materials at the artist's hands. Yet, as the gallery says, there’s been a more personal evolution in recent work.
After three years, Pat Perry has finished a series that represents another major shift for the painter. With the upcoming exhibition “National Lilypond Songs" at Urban Institute for Contemporary Arts in Michigan, he shows this new body of work that offers both reflective and piercing moments against quiet landscapes. Perry was featured in Hi-Fructose Vol. 35, in a feature that talks about the artist's journalist-like approach to his work.
Fiona Roberts crafts unsettling sculptures that insert human body parts into unlikely places. Whether its drapes, wallpaper, or closely placed pillows, the Australian artist’s work adds a ghostly quality to the objects that surround us. In a past statement, the artist offers insight into why she approaches her practice with this sensibility:
It might surprise some that watercolorist Daniel Merriam, known for his stylized, fantastic paintings, grew up in a sleepy summer resort town. There were none of the castles or glorious architectural forms found in his works - their foundation and beauty lies purely in his imagination. He finds such beauty in the world around him, whether it be a building, a landscape, or a creature. All of these things create a place he "escapes" to in his current exhibition, "Now You See Me: The Art of Escapism" at AFA Gallery in New York.

Subscribe to the Hi-Fructose Mailing List