Menu
The New Contemporary Art Magazine

Joel Daniel Phillips Debuts New Life-size Portraits of Local Outsiders

In Joel Daniel Phillips' art, featured here, the characters living in his neighborhood are brought to the center stage and become the hero of their own story. The San Francisco based artist's graphite and charcoal drawings feature people on the streets who generally go unnoticed by the public, or are virtually ignored, only to become celebrated in his monumental works. "A true portrait is far more than a rendering of physical form," he says, focusing instead on portraying the vulnerable nature that makes us human.

In Joel Daniel Phillips’ art, featured here, the characters living in his neighborhood are brought to the center stage and become the hero of their own story. The San Francisco based artist’s graphite and charcoal drawings feature people on the streets who generally go unnoticed by the public, or are virtually ignored, only to become celebrated in his monumental works. “A true portrait is far more than a rendering of physical form,” he says, focusing instead on portraying the vulnerable nature that makes us human.

With each new portrait, Phillips creates an evolving image of the diverse social landscape of his city. His latest portraits, debuting tonight at Hashimoto Contemporary in San Francisco, features homeless, eccentric, and rebellious non-conformists that are elevated to beautifully detailed, life-sized glory.  The series breaks down their personalities to their individual “belongings”; a patch-filled leather jacket, a helmet wrapped in duct tape, and a walking stick are a few. Though coming from different backgrounds, Phillips also sees a special connection between them.

“I am fascinated by the intricacies and commonalities that we share as humans, and search for moments when our projected senses of self are transparent, allowing deeper, more truthful emotions to become visible,” he writes. “I pursue ways to peel back the protective veils that we all display to outside world, striving to capture the un-invented spontaneity of experience. Central to this search is a focus on the significance of narrative in human existence. Our lives are not linear, with one instant leading solely into the next, but rather circular, with each experience formed and defined by others.”

Joel Daniel Phillips’ “Belongings” will be on view at Hashimoto Contemporary in San Francisco May 5th through May 28th, 2016.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Kyle Cobban has said that the sensibility of his surreal drawings are rooted in his career as an instructor, observing students exploring their own stories. Recent work, in particular, seems to be examining the relationship between his subjects and the concept of "home." His drawings on Priority Mail envelopes further underscore this concept.
Self-taught artist Christo Dagorov creates multi-layered drawings in which scenes appear to melt into one another. In his "Skylines" series, translucent urban landscapes manifest in spirit-like ways over placid beach scenes. The interplay between nature and urbanity asks viewers to image a place's current state and what could have been. Dagorov's use of acute gradients gives his work a nearly sculptural level of depth. His series of monochromatic drawings titled "Lips" also melds various images, this time constructing surreal, hellish visions in the shape of human mouths.
If you go to see the work of Istvan Orosz, bring a reflective, cylindrical object with you. A master of optics, Orosz creates drawings, etchings, and paintings of what look like distorted blobs when viewing the paper or canvas with the naked eye. Once the mirror is placed on top of the surface, however, coherent images emerge in the reflection. Based in Hungary, Orosz has worked as a set designer and illustrator and even created political posters for the Eastern European pro-democratic movement during the Cold War. Today, the work he creates is open-ended and surreal, focusing on the ways that our vision works and playing with expectations.
Anna Park’s charcoal drawings are kinetic and absorbing, each scene embedded in crowd activity. The action seems to move between revelry and violence, the faces of her subjects distorted and disappearing. The artist also integrates varying sensibilities into these works and moves between cartoonish and realistic rendering.

Subscribe to the Hi-Fructose Mailing List