Menu
The New Contemporary Art Magazine

Jeremy Lipking’s Realist Paintings of Figures and Landscapes

Realism is more than a painting technique for some. When we look at Jeremy Lipking's realist oil paintings, we are looking at a faithful representation of life that has earned him comparisons to his art heroes like John Singer Sargent and Anders Zorn, but we are also looking at the artist himself: "I feel like throughout the duration of a painting, I can go through all the human emotions from start to finish," he says.

Realism is more than a painting technique for some. When we look at Jeremy Lipking‘s realist oil paintings, we are looking at a faithful representation of life that has earned him comparisons to his art heroes like John Singer Sargent and Anders Zorn, but we are also looking at the artist himself: “I feel like throughout the duration of a painting, I can go through all the human emotions from start to finish,” he says.

Producing work mainly in oils, his canvases consist of realistic indoor and outdoor settings. Lipking’s fascination with beautiful figures is unquestionable as he portrays theme using nuanced color schemes and natural lighting. Figures are portrayed in repose, bathing or wading through shallow pools, while other paintings are a careful light study of night fall or the touches of a sunset on the desert mesa. Although his work is far from idealistic, there is a certain romance about the way he captures their essence. In other words, his paintings are more than just a copy of what lay in front of him, but allow the viewer to wander around and inside of the picture.

Lipking describes his way of working as less conventional, working from details like the details in a fabric or movements in a landscape, and composing the painting around that. This allows for a more spontaneous approach, which owes to the effect of capturing the subject in a candid moment. “It can be about that one thing that you notice first, whether it’s the color harmony, a nice design, or even just the lighting. It’s different for every painting. But being able to capture that theme is what really can make it special.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Gregory Jacobsen’s unsettling, vivid oil paintings offer portraits, scenes, and bizarre explorations of the most unflattering aspects of our anatomy. The Chicago-based artist sometimes abandon the figurative, instead offering a vague, writhing mash-up of organic materials. All are rooted in the artist’s fixations and sense of humor.
Setting soft and supple nudes against graphic patterns and textures, Brooklyn-based painter Sharon Sprung utilizes the tension between abstraction and realism to appease her own inner dichotomies and create art that expresses emotional complexities. But unlike many artists who muddle the polarities of figuration and abstraction into ambiguity, Sprung leaves them distinct, engendering a contrast that intensifies the impact of each.
New York artist Martin Wittfooth continues to explore the relationship between the contemporary experience and nature with a new show at Corey Helford Gallery titled “The Archaic Revival,” which runs through Oct. 29 at the space. The title of the show comes from ethnobotanist and philosopher Terence McKenna, who held a theory that society was reverting back to archaic values and norms in order to heal itself from a modern, poisonous condition. The artist, a Toronto native, is currently based in Brooklyn.

Vivian Greven's oil and acrylic paintings, bridging Greco-Roman art and a contemporary sense of depth and space, are studies of intimacy. The artist's command of color and negative space offer riveting results, her treatment of the canvas as a membrane allowing her figures to move in and out of the plane.

Subscribe to the Hi-Fructose Mailing List