Menu
The New Contemporary Art Magazine

Six Artists Weave the Past and Future Together in “A Primitive Future”

Some of the most compelling art comes from the combination of opposing values. The group exhibition "A Primitive Future", opening on December 5th at Subliminal Projects in Los Angeles, aims to address questions of a future interpreted through the past- questions like, "How will colonialism take shape in the future?" or "What can the future look like?" The show features new work by artists featured in Hi-Fructose and on our blog: AJ Fosik (HF Vol. 18), Ben Venom, Frohawk Two Feathers, Haroshi (HF Vol. 30), Lucien Shapiro, and Ravi Zupa. The six artists collectively weave together past and future practices in a variety of media, never landing on one particular interpretation.


Ben Venom

Some of the most compelling art comes from the combination of opposing values. The group exhibition “A Primitive Future”, opening on December 5th at Subliminal Projects in Los Angeles, aims to address questions of a future interpreted through the past- questions like, “How will colonialism take shape in the future?” or “What can the future look like?” The show features new work by artists featured in Hi-Fructose and on our blog: AJ Fosik (HF Vol. 18), Ben Venom, Frohawk Two Feathers, Haroshi (HF Vol. 30), Lucien Shapiro, and Ravi Zupa. The six artists collectively weave together past and future practices in a variety of media, never landing on one particular interpretation. Hailing from the Georgia punk rock scene, contributing artist Ben Venom injects its mentality into the age old tradition of quilting. His pieces, portraying arrangements of mystical beasts, are made from his own cut up heavy metal and motorcycle t-shirts. Similar to Venom, Haroshi’s piece takes materials from a rebellious subculture and reinterpret it into rebellious fine art. Using wood from discarded skateboards, he produced a magnificent sculpture of a smiling Mickey-like rat. Take a look at more work from “A Primitive Future” below.

The show will run December 5th, 2015 through January 6th, 2016 at Subliminal Projects in Los Angeles.


Haroshi


Ben Venom


Ben Venom


Lucien Shapiro


Lucien Shapiro


Lucien Shapiro


Frohawk Two Feathers


Ravi Zupa

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Traditional quilting meets a unconventional use of textile art in San Jose Museum of Quilts & Textiles' upcoming exhibition, "Found/Made." Curated by Roderick Kiracofe, the exhibit brings together quilts of historic and unknown origin with those by contemporary artists, including Ben Venom (covered here), Clay Lohmann, Joe Cunningham, Luke Haynes, Sabrina Gschwandtner, Sarah Nishiura, and Theresa May. Their works match their predecessors' classic techniques, but depart to tell a modern narrative.
Now a well-established Manhattan gallerist, Jonathan LeVine continues to nod to his roots in the 1980s New York punk scene with his curatorial choices. Over the past 10 years, Jonathan LeVine Gallery has become a premier destination for high-caliber art with a countercultural aesthetic and the gallery (which is down divided into two locations) will celebrate a decade in business with "The Color and the Fury: 10 Years of Jonathan LeVine Gallery."
Now on view at Mark Moore Gallery’s project room is “Hunting Trophies” by Jeremy Fish, marking his first solo exhibition there. (We previously covered Fish’s work at Mark Moore gallery here.) Fish injects a high dose of color to the space where he appears next to Christopher Russell’s monochromatic prints, “GRFALWKV”. Walking into the exhibit is like stepping inside Fish’s own trophy room, stacked with cartoon animal ‘kills’ in his highly saturated, illustrative style. Hi-Fructose caught up with Fish to talk about his new work.
Haroshi's figures, made from used skateboard decks, appear to be getting massive in size. But in fact, the gallery holding them is miniature. The 20-inch sculptures are part of the new Arsham/Fieg Gallery's first show at the Kith Manhattan flagship store. Alongside his figures are what appear to be 3D-printed versions of the gallery’s namesakes, artists Daniel Arsham and Ronnie Fieg.

Subscribe to the Hi-Fructose Mailing List