Menu
The New Contemporary Art Magazine

Crystal Morey Exhibits Her Talisman-Like Figures in “At the Edge of Time”

"We are leaving many vulnerable species and habitats frantic, facing disruptions and uncertain outcomes," says Oakland based artist Crystal Morey. Featured on our blog, her ceramic sculptures of people wearing animal skins express her personal connection to nature- and our strained relationship to it. "In my work, I investigate these actions while also creating an evocative and mysterious narrative that shows our interdependence with the land and animals around us." Morey's upcoming exhibition "At the Edge of Time" at Antler Gallery in Portland will debut a new series of small eagle, bear, and deer-headed figure, portrayed completely absorbed in some secret conference.

“We are leaving many vulnerable species and habitats frantic, facing disruptions and uncertain outcomes,” says Oakland based artist Crystal Morey. Featured on our blog, her ceramic sculptures of people wearing animal skins express her personal connection to nature- and our strained relationship to it. “In my work, I investigate these actions while also creating an evocative and mysterious narrative that shows our interdependence with the land and animals around us.” Morey’s upcoming exhibition “At the Edge of Time” at Antler Gallery in Portland will debut a new series of small eagle, bear, and deer-headed figure, portrayed completely absorbed in some secret conference. Colored pure white and just a few inches high, they look more like precious artifacts- Morey likens them to talismans, objects believed to contain magical properties which would provide good luck and ward off evil from its owner. “Sculpted from the silken white earth of porcelain, I see these delicate figures as containing power- They are here to remind us of our current trajectory and potential for destruction and downfall.”

“At the Edge of Time” by Crystal Morey opens at Antler Gallery in Portland on November 27th and will be on view through December 31st, 2015.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Czech artist Richard Stipl began his career as a painter, before moving on to the unsettling figurative sculptures for which he’s now known. The artist, based in Prague, conveys varying emotions and uses both two-dimensional and three-dimensional ideas to wrestle with humanity. A statement maintains that the work toils with the idea of creating art in itself. Materials used include oil on wax, ink on wood, clay, silver leaf, and several other tools.
Margarita Sampson turns ordinary furniture into alluring fabric sculptures made up of organic shapes and sumptuous textures. Inspired by the scenery of her native Norfolk Island, a small island near Australia, Sampson is interested in the ways that invasive plant species can take over a landscape. For her Salon series, she turned antique chairs into growth sites for forms that resemble expanding coral reefs, barnacles, and sea anemones. "The recent 'Salon' series pitches overweening growths onto a host chair, which begins to succumb or bend under the weight," writes Sampson. "Poised at a juncture, there are many scenarios that could evolve... the chair is buried in soft forms? They outgrow themselves and die out? They take over an entire room? You? That's the excitement and the tension I seek when working on a piece."
Malaysian artist Umibaizurah Mahir's meticulously crafted ceramics are almost exclusively in the form of stylized, comical creatures, like three dimensional hand-made cartoons. The complex psychology of her collectible "toys for adults” places them at the intersection of man, society and nature, where nothing is what it seems. Like Collodi's "Pinocchio", these naughty objects are often on the run, trying to escape on hand-painted ceramic wheels and wings, climbing their pedestals or breaking out of their frames.
Sculptor/jewelry artist Rebecca Rose crafts scenes in ring form, pulling from cultural iconography and allegorical narratives. Her so-called “Sculpturings” are described as “a hybrid of small sculpture and wearable art cast in precious metals using the lost wax casting process.” Her work has been shown in both galleries and jewelry showcases alike.

Subscribe to the Hi-Fructose Mailing List