“We are leaving many vulnerable species and habitats frantic, facing disruptions and uncertain outcomes,” says Oakland based artist Crystal Morey. Featured on our blog, her ceramic sculptures of people wearing animal skins express her personal connection to nature- and our strained relationship to it. “In my work, I investigate these actions while also creating an evocative and mysterious narrative that shows our interdependence with the land and animals around us.” Morey’s upcoming exhibition “At the Edge of Time” at Antler Gallery in Portland will debut a new series of small eagle, bear, and deer-headed figure, portrayed completely absorbed in some secret conference. Colored pure white and just a few inches high, they look more like precious artifacts- Morey likens them to talismans, objects believed to contain magical properties which would provide good luck and ward off evil from its owner. “Sculpted from the silken white earth of porcelain, I see these delicate figures as containing power- They are here to remind us of our current trajectory and potential for destruction and downfall.”
“At the Edge of Time” by Crystal Morey opens at Antler Gallery in Portland on November 27th and will be on view through December 31st, 2015.
Lucy McRae's new "Compression Carpet offers a full embrace for those who feel like they need a hug, a meditation on how technology can aid intimacy or support. The "body architect" recently showed the device at Festival of the Impossible in San Francisco. For some, the device may recall the hug machine created by Temple Grandin for stress relief and therapy. With her device, McCrae says, you "relinquish control to the hands of a stranger as your 'servicer' decides the firmness of your hug."
Little is known about Japanese artist trio 
Using steel rebar, chicken wire, plaster, wax, acrylics, and other materials, 