Brooklyn based sculptor Dustin Yellin (previously covered here) has earned acclaim for his monumental figures made of collaged materials inside of glass panels. The artist calls them “paintings-sculptures” for his combined use of drawings, paintings, magazine clippings, and three-dimensional works, weighing 12 tons at their largest. Inspired by 19th century taxonomic art, Yellin’s work focuses on otherworldly mutations of living things, especially plants and insects. His recently completed “Psychogeographies” took Yellin roughly 6 years to complete, created for New York City Ballet’s annual Art Series with inspiration from the company’s dancers. One way of looking at it is like laboratory microscope slides with dancers trapped inside, fused with fantasy and imagination. Comprised of 12 humanoid figures made of torn materials like encyclopedias and dictionaries, it is a massive archive of human culture, where each piece functions as “a kind of file in human form,” Yellin says. “Psychogeographies” is now on permanent display at the Kennedy Center for the Performing Arts, Washington, DC.
The brutal paintings of 
Darius Hulea's figures are forged in metal wire, yet carry a ghostly, apparating quality. The Romania-based artist depicts a range of figures, from Ferdinand I and violinst George Enesco to philosopher Mircea Eliade and sculptor Frederic Storck. The artist moves between differing types of metal, as well, including bronze, iron, steel, copper, and brass.
Using steel rebar, chicken wire, plaster, wax, acrylics, and other materials,