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Travis Louie Imagines New Mythical Beasts in “Archive of Lost Species”

Through a unique process of applying thin, translucent layers of monochromatic, acrylic paint to a panel over and over, Travis Louie (HF Vol. 32 cover artist) mimics the effect of 19th-century photography. Though filled with fantastical characters, his works have an effect of verisimilitude much like historical documents from the Victorian and Edwardian periods. For his latest solo show, "Archive of Lost Species," which opens at Roq La Rue Gallery in Seattle on May 7, Louie abandons the studio portrait format we've seen before. Instead, his latests works look like snapshots of strange monsters, sometimes observed in the wild and sometimes interacting with their human counterparts.

Through a unique process of applying thin, translucent layers of monochromatic, acrylic paint to a panel over and over, Travis Louie (HF Vol. 32 cover artist) mimics the effect of 19th-century photography. Though filled with fantastical characters, his works have an effect of verisimilitude much like historical documents from the Victorian and Edwardian periods. For his latest solo show, “Archive of Lost Species,” which opens at Roq La Rue Gallery in Seattle on May 7, Louie abandons the studio portrait format we’ve seen before. Instead, his latests works look like snapshots of strange monsters, sometimes observed in the wild and sometimes interacting with their human counterparts.

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On March 5, Seattle's Roq La Rue Gallery will present two solo shows from artists with distinct aesthetic sensibilities. Sam Wolfe Connelly (who was featured in HF Vol. 32) continues his exploration of the subtly sinister with a new series of drawings and paintings called "And Here I Lay." Often set in (nearly) empty houses in remote locales, his work takes on the quality of a mysterious shadow one sees in the corner of one's eye. It has an ambiance of foreboding that can't be easily explained. The cityscapes in Liz Brizzi's concurrent show, "Anagrams," are desolate as well, but her busy mixed-media work departs greatly from Wolfe's sparse paintings. Brizzi combines digitally manipulated photography, collage, and painting on wood panel to create portraits of unpopulated metropolises that look familiar yet alien because of their stillness.
Yesterday, we brought you our highlights of UNTITLED art fair, SCOPE Miami Beach, Miami Project and Art on Paper. Today, we continue our coverage with one of the most popular fairs during the jam-packed Miami Art Week- PULSE Miami Beach. Despite the dreary Miami weather, PULSE was in high attendance and notable for its engaging and interactive installations in collaboration with Target that attracted art lovers of every age. Designed as a platform for new video and media art, "Target Too" combined items sold at Target with art- though some blasted it as a commercial "sell-out", we couldn't help but smile at some of the works on display like Daniel Rozin's Insta-worthy "Troll Mirror", a mirror made of hundreds of pink and green treasure trolls that reflected your silhouette as you moved around the piece. Take a look at more of our highlights from PULSE Miami Beach after the jump!
Merry Karnowsky set the mood of the holiday season with their year-end exhibition, "Praeteritum Nunc Futurum" on Saturday. Outside, the weather was crisp and colored lights lit the window, while inside the gallery offered a preview of shows to come. Although wide open in theme, works by artists Craola, Travis Louie, Nicola Verlato, Andrew Hem, Lezley Saar, Todd Carpenter, devNgosha, and more compliment eachother nicely. Take a look at our photos from opening night after the jump!
Dutch artist Chris Berens (featured in our book Hi-Fructose Collected 3) developed a unique painting technique that lends his work a soft focus, as if watching the fantastical world he depicts through a distorted lens. The artist combines age-old glazing techniques inspired by the Renaissance masters with layers of emulsion, plastic sheets one to three inches thick, and paper. The result is a quilted-looking texture that evokes the sensation of seeing his work through uneven layers of glass. The artist has been laying low until recently, and will debut his first US solo show in four years, "Nethermoor," at Roq La Rue in Seattle on February 5.

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