Haris Purmono’s hyperrealistic portraits illustrate resilience. The Indonesian artist began his practice in the 1970s under Suharto’s military government and the battle-scarred faces of his civilian subjects symbolize the country’s difficult past. Purmono’s sitters are everyday individuals whose faces the artist embellishes with bandages and dragon tattoos. Despite their different ethnicities and social classes, these symbols unite the subjects of his work and hint at their shared cultural history.