Menu
The New Contemporary Art Magazine

Chris Labrooy’s Fantasy Vehicles in “Tales of Auto Elasticity”

UK graphic designer and artist Chris Labrooy riffs on custom car culture in his latest digital illustration series, "Tales of Auto Elasticity." A follow-up to last year's "Auto Aerobics," in which Labrooy placed his bendy, sculptural low riders in a city park, "Tales of Auto Elasticity" shows pick-up trucks with yogic flexibility bending to extreme degrees in a rural parking lot. Though Labrooy's work exists only on the computer screen, it evokes sculptures like Erwin Wurm's pudgy sports cars (featured in HF Vol. 22) and Ichwan Noor's Beetle sphere (covered here). Perhaps Labrooy should consider sculpture as his next step.

UK graphic designer and artist Chris Labrooy riffs on custom car culture in his latest digital illustration series, “Tales of Auto Elasticity.” A follow-up to last year’s “Auto Aerobics,” in which Labrooy placed his bendy, sculptural low riders in a city park, “Tales of Auto Elasticity” shows pick-up trucks with yogic flexibility bending to extreme degrees in a rural parking lot. Though Labrooy’s work exists only on the computer screen, it evokes sculptures like Erwin Wurm’s pudgy sports cars (featured in HF Vol. 22) and Ichwan Noor’s Beetle sphere (covered here). Perhaps Labrooy should consider sculpture as his next step.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Italian artist and designer Andrea Minini makes a living creating brand logos and graphics, but as a personal project the artist recently created the "Animals in Moire" series. A collection of black-and-white digital illustrations, the works take inspiration from the animal kingdom. But the shapes in these portraits of peacocks and pumas are anything but organic. Uniform curves outline the contours of he animals' faces. The creatures become abstracted and almost architectural, defined by mathematically-plotted shapes. The high-contrast, monochromatic patterns create the illusion of depth and dimension, yet the forms appear hollow and mask-like. Take a look at the fun series after the jump.
Vaughan Oliver, the artist behind so many memorable LP covers from 4AD, has died at 62. Bands in his body of work include The Breeders, Pixies, Scott Walker, TV on the Radio, Lush, Cocteau Twins, Modern English, The Mountain Goats, and several others. His sensibility played an enormous role in the public-facing aesthetic of the label, from his entrance to the label in the 1980s on. He produced the art for every Pixies album so far.
Antony Crossfield, an artist based in London, manipulates his photographs to create new ways of looking at our natural forms. Series like “Second Skin” take the outer shell of the human body and pushes it outside of the boundaries of superficiality. It’s in these exercises that Crossfield aims to “to present the body not as a protective envelope that defines and unifies our limits, but as an organ of physical and psychical interchange between bodies.”
Chilean photographer and visual artist Jon Jacobsen works within the tension of the real and the fabricated in his digitally manipulated works. The artist has recently explored this with make-up artist Alex Box, dancer Jonathon Luke Baker, and director Nick Knight in a film created during his SHOWstudio residency. Their “Die Verwandlung” film "encompasses a fashion film, editorial and process imagery exploring metamorphosis and motion, informed by Jacobsen's interest in the dichotomy between digital and organic states.”

Subscribe to the Hi-Fructose Mailing List