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Preview: Marco Mazzoni’s “Immune” at Thinkspace

The natural world is a never-ending source of inspiration for Italian artist Marco Mazzoni (Hi-Fructose Vol. 20 cover artist), whose colored pencil drawings explore the worlds of pagan healers, midwives and herbalists. These women were deemed witches at various points in history, for their knowledge threatened the patriarchal power structure of the Christian church. Mazzoni specifically culls his imagery from 16th-to-18th-century Sardinian folklore, studying the region's historically matriarchal culture. His latest exhibition of drawings, "Immune," will open at Thinkspace in Culver City on November 8 alongside Keita Morimoto's show "Tronie."

The natural world is a never-ending source of inspiration for Italian artist Marco Mazzoni (Hi-Fructose Vol. 20 cover artist), whose colored pencil drawings explore the worlds of pagan healers, midwives and herbalists. These women were deemed witches at various points in history, for their knowledge threatened the patriarchal power structure of the Christian church. Mazzoni specifically culls his imagery from 16th-to-18th-century Sardinian folklore, studying the region’s historically matriarchal culture. His latest exhibition of drawings, “Immune,” will open at Thinkspace in Culver City on November 8 alongside Keita Morimoto’s show “Tronie.”

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In ten years, Thinkspace Gallery in Culver City has accumulated quite the family- over 100 artists strong. Commemorating their 10th anniversary, opening January 10th, their artists will come together for an unprecedented group show. Featured here are contributions by Troy Lovegates, So Youn Lee, Keita Morimoto, Scott Listfield, Mark Dean Veca (Vol. 23), Dalek aka James Marshall (Vol. 15), Brett Amory (Vol. 20), Ryan Hewett, Kwon Kyung-yup (Vol. 24), Henrik Aa. Uldalen (Vol. 24 cover artist) and Sarah Joncas.

Montreal based artist Nathalie Lagacé plainly draws ties between humans and nature in her latest graphite series of hybrid baby-animals. Titled "Legacy", her drawings portray screaming newborn babies who express the same emotional rollercoaster as our relationship to the environment. In a way, they are almost comical in their bizarre pairings of animals like babies with chicken legs and "duck lips", others posed like a Thanksgiving turkey ready for roasting.
David Jien’s works on paper and sculptures blend modern pop culture and video games with historical iconography and imagery. These hyperdetailed works can feel both mythological and like a Nintendo RPG. The Los Angeles-based artist uses colored pencil and graphite on his paper works, along with occasional use of holographic film and other elements that add to their otherworldly nature.
"I think that there is a lot to point out, and to work against in daily life, particularly with respect to American culture," said Dane Patterson in an interview with Art Plural Gallery, where he had his last solo show in 2013. "We are creatures of habit and we can quickly fall into routine. We’re rarely aware of the way we compartmentalize everything in our lives, or have had things defined and compartmentalized for us." His graphite drawings begin as documentations of daily life — but they evolve into strange hybrids of images intended to stir up the ritualistic qualities of our mundane existence. Patterson works from photographs in a process he describes as sculptural. First, he stages a scene, shoots it, and then combine the resulting photographic image with other sourced material to create a meticulous, surreal pencil drawing on paper.

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