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On View: Gabriel Dawe’s “Plexus 28” at the Virginia MOCA

While one may look at Gabriel Dawe's installations and call them fantastical and even decorative, the artist considers working with thread an act of rebellion. Growing up in Mexico City, as a boy, the Texas-based artist was discouraged from taking an interest in embroidery. While thread is his preferred medium, he uses it for architectural means. His minimalist aesthetic departs greatly from traditional crafting. Instead, Dawe uses the thread to build translucent, colorful shapes that alter the spaces they inhabit. He calls them Plexuses, a term used to describe branching vessels or nerves. Dawe recently set up Plexus 28, a rich eggplant and crimson-hued piece composed of two concentric circles, at the Virginia MOCA. The MOCA created a time lapse video of the creation of the piece, as well as a short video interview with the artist. Check out more on Plexus 28 below and if you're curious about Dawe's other work, take a look at our previous post about the artist here.

While one may look at Gabriel Dawe’s installations and call them fantastical and even decorative, the artist considers working with thread an act of rebellion. Growing up in Mexico City, as a boy, the Texas-based artist was discouraged from taking an interest in embroidery. While thread is his preferred medium, he uses it for architectural means. His minimalist aesthetic departs greatly from traditional crafting. Instead, Dawe uses the thread to build translucent, colorful shapes that alter the spaces they inhabit. He calls them Plexuses, a term used to describe branching vessels or nerves. Dawe recently set up Plexus 28, a rich eggplant and crimson-hued piece composed of two concentric circles, at the Virginia MOCA. The MOCA created a time lapse video of the creation of the piece, as well as a short video interview with the artist. Check out more on Plexus 28 below and if you’re curious about Dawe’s other work, take a look at our previous post about the artist here.

Timelapse of the installation

Virginia MOCA’s interview with Gabriel Dawe

Finished installation, Plexus 28.

Work in progress.

View from the entrance of the exhibition.

Topics

Gabriel Dawe, installation, Plexus 28, thread, Virginia MOCA

Akron Art Museum, Turn the Page, Virginia MOCA

January 30, 2017

After a grand opening at Virginia Museum of Contemporary Art, "Turn the Page: The First Ten Years of Hi-Fructose" now travels to Akron Art Museum in Akron, Ohio, where it will open on Feb. 10. The exhibit, hosted in the Karl and Bertl Arnstein Galleries, features 51 contemporary artists from across the world, all featured sometime during the first decade of Hi-Fructose Magazine’s existence. The media is as diverse as the home cities and varying careers of the artists: painting, ceramics, installation art, sculpture, and more are present. “Turn the Page” runs through May 7.

We Make Carpets Make Colorful “Rugs” From Ephemeral Items

installation, Salone Mobile, We Make Carpets

May 7, 2015

Dutch artist duo We Make Carpets recently presented a huge, immersive carpet installation for "Kneeling," their piece for the Salon del Mobile 2015 in Milan, which took place in mid April. We Make Carpets collect ephemeral, throwaway items like cone-shaped party hats and dish sponges and arrange them into elaborate patterns inspired by Middle Eastern carpet-making traditions. Their colorful works were laid out on the floor at the Salon horizontally rather than hung up on a wall like in a typical gallery, encouraging viewers to circle around the installation to get the full effect.

On View: Crystal Wagner Creates Two Enormous Installations for Art Prize 2014

Art Prize, Crystal Wagner, installation, Urban Institute of Contemporary Art

September 24, 2014

Officially opening today, Art Prize is a unique art festival and contest — perhaps one of the most democratic iterations of an art fair out there. The unlikely locale of Grand Rapids, Michigan becomes a playground for artists. Any part of downtown is fair game to use as a venue — no gallery endorsement needed — and anyone, regardless of their resume, can qualify as an exhibitor. The art projects are on view for two weeks while the public votes on which artist will be awarded the large cash prize. For her entry, artist Crystal Wagner created two installations in the Urban Institute for Contemporary Arts using household items (plastic table cloths and chicken wire are two of her signature materials) to weave two enormous, sprawling sculptures in the venue's entrance and along the south staircase.

Turn the Page: The First Ten Years of Hi-Fructose Opens in Virginia

mark ryden, Turn the Page, Virginia MOCA

May 23, 2016

Turn the Page: The First Ten Years of Hi-Fructose was born as a bi-coastal collaboration between contemporary art magazine Hi-Fructose based in San Francisco and the Virginia MOCA. Several years in the making, this exhibition celebrated the magazine's first ten years on Saturday night by bringing highlights of some of today's foremost contemporary artists who have appeared in its pages to Virginia Beach.

On View: Gabriel Dawe’s “Plexus 28” at the Virginia MOCA

‘Turn The Page: The First Ten Years of Hi-Fructose’ to Open at Akron Art Museum

We Make Carpets Make Colorful “Rugs” From Ephemeral Items

On View: Crystal Wagner Creates Two Enormous Installations for Art Prize 2014

Turn the Page: The First Ten Years of Hi-Fructose Opens in Virginia

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