On Saturday, Copro Gallery pulled back the curtains for “Suggestivism: Chronology” (previewed here), curated by Nathan Spoor. This is the fifth installment of “Suggestivism”, Spoor’s moniker for fantastical, figurative work that ‘suggests’ to be more than it seems. In the 1890s, art historian Sadakichi Hartmann defined it in his writings as a style “of poetic mysticism and psychological intensity.” Spoor chose 42 contemporary artists whose work shares a surreal, poetic-like quality, such as Aron Wiesenfeld, Chet Zar, Nicoletta Ceccolli, Dan May, Hsiao-Ron Cheng, Naoto Hattori, Charlie Immer, Gregory Jacobsen, Sarah Joncas, and more. It seems like every time we caught up with an artist, they were working on a piece for the show (see Ken Garduno’s studio visit).
The “Suggestivism” series has previously exhibited in Rome, New York, and Los Angeles. It was even published as an art book in 2011. With “Chronology”, this year sparks a conversation about the influences behind a growing modern style of art. For example, Yoko d’Holbachie, who is exhibiting at Copro next month, pays homage to Italian Renaissance painter Leonardo da Vinci with her reimagining of the “Mona Lisa”. Afterall, future visual explorations become impossible for artists without the map laid out by their predecessors. Drawing from such influences, this new crop of artists present vivid scenes that leave narrative to both the imagination and history.
This month coincides with the rising of Sirius, Orion's dog star, from which the dog days of summer take their namesake and Copro Gallery's upcoming group show. Inspired by the summer star, the participating artists of "Summer Soirée" draw upon seasonal and fantastical themes for the exhibition. In particular, the exhibit features a new series of acrylic paintings by Florida based artist 
Influential Norwegian painter 
Our 36th volume of Hi-Fructose New Contemporary Art Magazine arrives in July! Featured in our next print issue is: a major feature on art pioneer Robert Williams, the colorful installations of Pip & Pop, a review of cover artist Kehinde Wiley's new monograph, Erin M. Riley's embroidered selfies, Chiho Aoshima's solo exhibition in Seattle, Cinta Vidal Agullo's mesmerizing paintings, new works from Portland artist Blaine Fontana, the paintings of Mike Davis, a thought provoking article on the art and travels of street artist Swoon, plus reviews on the Sick Rose; featuring medical illustrations from tester-year and much more! Also, We're thrilled to present this issue's special 16-page insert section featuring Winnie Truong's beautifully strange color pencil drawings, all in one issue!
Los Angeles based artist