James Roper processes the chaos of urbanity with his multilayered drawings. A simultaneous ode and social criticism, his latest body of work fixates on a cast of archetypical LA residents — an artist, a porn star, a gang member, a homeless “bag lady,” a celebrity publicist, etc. Roper’s exhibition “The Insceding Spiral” recently closed at Mirus Gallery in San Francisco — his first solo show in two years. The artist, who is also a script writer and filmmaker, imbues his drawings and paintings with narrative elements. But Roper doesn’t help viewers navigate the hectic hustle and bustle of city life — instead he puts the crazy on full volume, producing cacophonous images where translucent forms vie for our attention.