Eduardo Naranjo (born in 1944) has enjoyed a decades-long career as a painter. Influenced by the Cubists and Surrealists of his native Spain, in the 1970s he evolved his style from abstract expressionism to the surreal, figurative oil paintings he creates today. The artist’s works are tightly controlled and vivid. He often plays with translucent figures, layering images like strange memories intermingling inside of a dream. There’s something photographic about Naranjo’s work, not only in his realist approach to figuration but in the frayed edges and paper-like textures he renders, evoking old, found photographs.
The interdimensional creatures painted by 
Jamian Juliano-Villani, known for stirring acrylic paintings packed with dark humor and sprawling references, offers new works in a show at Massimo De Carlo London titled "Let's Kill Nicole." She offers both new paintings and sculptures in the display, which runs through Sept. 21. Juliano-Villani's work is known for pulling in a variety of familiar imagery from fashion, illustration, and other industries, with conversations emerging over what constitutes referencing versus appropriation. “Everything is a reference,” she’s insisted.
Chicago-born artist 
In Barry McGee’s current show at Perrotin’s Hong Kong gallery, titled “The Other Side,” the artist creates a new immersive environment that blends his love of retro patterns, lettering, advertisements, and comic strip characters. The show runs through Nov. 9 at the space. McGee was featured in Hi-Fructose Vols.