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Ishibashi Yui’s Sculptures Visualize Tension Between Humans and Nature

Fixated on a mythological depiction of nature, Japanese artist Ishibashi Yui sculpts feral children that appear to belong to another realm of reality. Pallid, hairless human bodies become fused with roots and vines, brought to life through a mixture of wood, resin, clay, wire and paint. Oftentimes, the figures appear imprisoned by the flora. In Then, It Returns Slowly, a pregnant woman's face erupts with flesh-colored growths that form a tree trunk. The character in Dream of 10 Billion Years succumbs to a similar fate as her limbs are fused with a chair and her head becomes a bouquet-like arrangement of leaves and branches. These sculptures personify nature as a force that reclaims its power from its human occupants. Take a look at some of Yui's sculptures after the jump.

Fixated on a mythological depiction of nature, Japanese artist Ishibashi Yui sculpts feral children that appear to belong to another realm of reality. Pallid, hairless human bodies become fused with roots and vines, brought to life through a mixture of wood, resin, clay, wire and paint. Oftentimes, the figures appear imprisoned by the flora. In Then, It Returns Slowly, a pregnant woman’s face erupts with flesh-colored growths that form a tree trunk. The character in Dream of 10 Billion Years succumbs to a similar fate as her limbs are fused with a chair and her head becomes a bouquet-like arrangement of leaves and branches. These sculptures personify nature as a force that reclaims its power from its human occupants. Take a look at some of Yui’s sculptures below.

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