Menu
The New Contemporary Art Magazine

Megan Mosholder’s Thread Installations Give Life to Disused Structures

Megan Mosholder lights, and ties twine to revive abandoned spaces, while also drawing attention to architectural geometries set within natural landscapes. In Hilton Head Island, SC, Mosholder bound 15,000 feet of nylon cord, hand painted with an electrifying blue glow-in-the-dark paint, to corners of a dilapidated barn. The spaces are sheltered within an interior overhang, while also being exposed to the elements. At night, the unearthly glow of a black light illuminates the dreamlike webs, creating tension between the natural outdoors and the synthetic materials. In Wassaic, NY, Mosholder used pinks, reds, and yellows to illuminate sweeping, vortex-like patterns of twine that appear to support the Luther Barn, a dark structure recently converted into an artist residency after being abandoned due to foreclosure. Read more after the jump.

Megan Mosholder lights, and ties twine to revive abandoned spaces, while also drawing attention to architectural geometries set within natural landscapes. In Hilton Head Island, SC, Mosholder bound 15,000 feet of nylon cord, hand painted with an electrifying blue glow-in-the-dark paint, to corners of a dilapidated barn. The spaces are sheltered within an interior overhang, while also being exposed to the elements. At night, the unearthly glow of a black light illuminates the dreamlike webs, creating tension between the natural outdoors and the synthetic materials. In Wassaic, NY, Mosholder used pinks, reds, and yellows to illuminate sweeping, vortex-like patterns of twine that appear to support the Luther Barn, a dark structure recently converted into an artist residency after being abandoned due to foreclosure.

Like the Hilton Head and Wassaic installations, A Tale of Two Bridges in Savannah, GA transformed a once broken and forgotten space. Here, alien-green lines swallow rectangular windows on opposing walls, narrowing until the strings meet in the middle of the ceiling. One feels as if he is under the roof of a raised tent. With the use of simple materials, Mosholder creates a sense of weightlessness, effectively lifting heavy, fractured structures, and making room for new life.

Meta
Topics
Share
Facebook
Reddit
Pinterest
Email
Related Articles
As a tribute to this “most wonderful time of the year” artists Lauren YS and Makoto Chi have created twenty-eight works (and a mural) for their new “Five Poisons” exhibition. We’ve interviewed the artists about the work. Click image above to read it, or else.
With a mix of dark humor and an impressive skill at creating inviting, yet dangerous worlds, the artist known as Bub has caught our eye. Click above to read our new interview with the artist and his new body of work, before it's too late.
We live in strange times and artists Michael Kerbow and Mike Davis both have something in common: they use surrealism and time travel to address modern and existential issues. Click above to read the Hi-Fructose exclusive interviews with painters Mike Davis and Michael Kerbow about their respective solo showings.
Artist and animation director Joe Vaux paints what he likes. His personal work is teeming with impish demons. His cheerful hellscapes are populated with lost souls, sharp toothed monstrosities, and swarms of wrong-doers. And yet, there’s an innocence to all of this. Click to read the Hi-Fructose exclusive interview with Joe Vaux.

Subscribe to the Hi-Fructose Mailing List